How it works
These writing prompts for the civil rights movement set the writer beside a dated event as an ordinary, made-up person: a toll collector, a taxi driver, a librarian. The famous names are left out, so the page stays with the people on the pavement.
Read the full guide
Writing prompts about the civil rights movement, in four kinds
Fifteen are reports of a march, a boycott or a sit-in by someone watching. Fifteen are letters home, from a carpool driver in Montgomery to a marcher at a campsite outside Selma. Fifteen stand on the day a rule changed, and fifteen ask for an opinion with reasons.
Using one civil rights movement writing prompt
The Fact line under each prompt gives the event and its date. Start there: the date decides what your person can know. A cook writing home in December 1956 has walked to work for a year and has never heard of the march from Selma.
- Write the weather and the shoes before the history. Your witness noticed those first.
- For an opinion prompt, give the other side its best reason before you answer it.
Questions and answers
What are good civil rights movement writing prompts?
Ones with a place to stand. Report dawn at a highway tunnel as the toll collector counting buses on August 28, 1963, or write a Montgomery taxi driver's letter about the ten-cent fare he charged during the boycott.
Are there prompts about the March on Washington?
Nine. They stay at the edges of the day: a railroad porter watching special trains unload, a sound engineer testing loudspeakers the night before, a grandmother writing on the bus home.
Do the prompts cover the sit-ins and the march from Selma?
Yes. Seven are set at the Greensboro lunch counter in 1960 and two in Nashville, and six follow the walk from Selma to Montgomery in March 1965: 54 miles in five days, with four campsites on the way.
What years do the prompts run between?
From May 17, 1954, when the Supreme Court ruled against segregation in public schools, to the end of 1965, by which time new Black voters numbered a quarter of a million.