Shapeshifter Writing Prompts

One power, changing shape, and what it costs to hide it, three prompts at a time.

Show all 100
  1. A dog show has one entrant who has won every class as a different breed.Tell: the same crooked tooth. Cost: a trophy cabinet that is somebody's whole secret life.
  2. A boy stuck as a house cat has to get his homework handed in.Tell: paw prints in the margin. Cost: the teacher is allergic.
  3. A boy learns he can only become animals he has properly looked after, and so far that is one snail.Tell: he leaves the lettuce on his plate. Cost: the patience to earn a faster shape.

All 100 prompts

The first change 25

  • A baker's apprentice first changes at the oven door, into a cat that knows exactly when the bread is done. Tell: floury paw prints on the bench. Cost: the baker would rather keep the cat.
  • A boy changes for the first time while hiding in a game, and nobody finds him for two days. Tell: the umbrella stand has freckles. Cost: he missed his own search party.
  • A boy learns he can only become animals he has properly looked after, and so far that is one snail. Tell: he leaves the lettuce on his plate. Cost: the patience to earn a faster shape.
  • A boy of twelve wakes as a heron and has to get down from a top bunk. Tell: he still sleeps with one knee up. Cost: his brother saw, and wants paying.
  • A boy turns into whatever he is most afraid of, and on the first day that is a goose. Tell: he honks when startled, ever after. Cost: every new fear is a new shape.
  • A boy's first change is into his father, for one afternoon, during his father's meeting with the teacher. Tell: the tie is knotted wrong. Cost: he hears what the teacher really says.
  • A dancer changes in the middle of a leap, for the first time, and lands as herself. Tell: one feather in her hair. Cost: she cannot say what she was at the top.
  • A fox turns one hundred, grows a second tail and finds she can pass for a schoolteacher. Lore: in some Japanese tales a fox gains tails only after 100 years. Cost: two tails under one coat.
  • A girl on a northern island finds a sealskin in her size in the boat shed, and it fits like a decision. Lore: selkies change between seal and human by putting on a seal skin. Cost: the land looks small from the water.
  • A girl sneezes at her own birthday party and is, for one second, the exact pink of the cake and the exact shape of the cat. Tell: the whiskers take a minute to go. Cost: a week of pretending she has a cold.
  • A girl's first change lasts exactly as long as one hiccup. Tell: she holds her breath in class. Cost: everyone else sees what she becomes, and she never does.
  • A girl's first shape is a perfect copy of the new girl at school, on the new girl's first day. Tell: only one of them knows the schedule. Cost: the friendship starts with an apology.
  • A girl's first shape is her own grandmother at twenty, and her grandmother is in the room. Tell: a dimple on the wrong side. Cost: the question her grandmother asks next.
  • A lighthouse keeper's boy first changes into a gull and finds out how small the island is. Tell: he tilts his head at bread. Cost: coming down again every evening, on purpose.
  • A new mother changes for the first time at three in the morning, into something with enough arms. Tell: the baby is not surprised. Cost: nobody she could tell would believe her.
  • A shifter's first change comes at seventy, at the bowling club, and the team has to finish the match with a hare. Tell: the cardigan still fits. Cost: the best score of her life, entered under the wrong name.
  • A swimmer's first change happens in the middle of a race, and she wins by a length as an otter. Tell: wet prints with five toes, then four. Cost: a medal she cannot honestly keep.
  • A violinist's first change takes her on stage, and the audience hears the solo finished by a blackbird. Tell: she bows too quickly, like a bird. Cost: the review that calls it her best.
  • A woman of sixty changes for the first time on the day she retires: into a fox, in the office parking lot. Tell: reading glasses left on the asphalt. Cost: forty years of wondering what she missed.
  • A young tanuki's first try at being a person gets everything right except the shadow. Lore: in parts of Japan the tanuki, a raccoon dog, is said to take people's shapes. Cost: he may go out only at noon.
  • The first change arrives with a boy's first big lie, and he becomes the dog he blamed. Tell: he cannot meet his own dog's eye. Cost: the truth is the only way back.
  • The first change comes during a school photograph, and the camera catches three rows of children and one startled owl. Tell: the owl is in school colors. Cost: the print hangs in the hall all year.
  • On her first change a girl becomes water and has to be carried home in a bucket by her little brother. Tell: she flinches at drains. Cost: he is never, ever going to let it go.
  • On the day of his granddaughter's first change, a grandfather admits it skips a generation, and he hoped it had skipped two. Tell: they rub the same wrist. Cost: what her mother was never told.
  • Twins change for the first time on the same night, into two animals that do not get along. Tell: each keeps the other's eye color. Cost: one bedroom, shared.

Hiding it 25

  • A boy hides his other shape from a grandmother who is allergic to cats. Tell: she sneezes when he hugs her. Cost: he stops hugging her.
  • A boy hides his shifting from a scout troop on a week-long camp. Tell: an empty sleeping bag with a hedgehog in it. Cost: the tracking badge, which he cannot accept.
  • A boy who becomes a bird in his sleep ties one ankle to the bed. Tell: string marks. Cost: he has never slept over at a friend's house.
  • A doctor who is a shifter never changes at work, though a second pair of hands would help. Tell: her handwriting turns neat under pressure. Cost: every long night shift.
  • A family of shifters keeps a schedule for the one human shape whose name is on the lease. Tell: the signature varies. Cost: nobody may be sick on their day.
  • A girl at a lakeside boarding school keeps a coat of white feathers at the back of her closet and never lends it. Lore: in swan maiden tales the change depends on a feathered garment. Cost: a roommate who borrows things.
  • A girl hides her shifting behind a reputation for being good at costumes. Tell: there are no seams. Cost: first prize every year, and no one to tell.
  • A girl locked out at night takes the shape of her own house key and can tell nobody how she got in. Tell: she is cold to the touch until noon. Cost: grounded for a lie she had to tell.
  • A girl who changes when she laughs has learned to be the serious one. Tell: a tail, briefly, at punchlines. Cost: her friends think she does not like them.
  • A púca takes a job in a village shop as a perfectly ordinary assistant, except for the ears. Lore: a púca's human disguise is said to keep an animal's ears or tail. Cost: a hat, indoors, all summer.
  • A shifter child at the swimming pool must not become a fish, however nicely the water asks. Tell: he never needs goggles. Cost: he swims badly, on purpose, in the slow lane.
  • A shifter family fills in the census, and the form has one box for the number of people in the household. Tell: pencil marks rubbed out and rewritten. Cost: counting themselves smaller than they are.
  • A shifter has kept one shape for thirty years, as a bank teller, and changes only in the shower. Tell: he hums lower than any teller could. Cost: thirty years of very short showers.
  • A shifter hides in a traveling show, where a second shape counts as an act. Tell: the act never rehearses. Cost: applause for the one true thing she does.
  • A shifter married for twenty years has never told his wife why he hates photographs. Tell: he blurs. Cost: a wedding album with one clear face in it.
  • A shifter mayor has a rival who suspects him, and a ribbon to cut beside the kennel club. Tell: every dog sits when he speaks. Cost: he resigns from the committee he loved.
  • A shifter must sit perfectly still for a portrait painter, six sittings running. Tell: each canvas has a slightly different chin. Cost: the painter thinks she is losing her eye.
  • A shifter who teaches biology has to listen to her class explain why her kind cannot exist. Tell: she corrects the diagram too precisely. Cost: grading the essays fairly.
  • A shifter who works as a museum guard is the only one who knows which exhibit is a colleague on a break. Tell: the label is handwritten. Cost: covering two shifts when the vase oversleeps.
  • A shifter's dog knows, and has started bringing the wrong slippers on purpose. Tell: the dog greets every shape the same. Cost: every walk is now a negotiation.
  • A teenage shifter must get through passport control with a face he can hold for six minutes at most. Tell: the ears go first. Cost: he has never been abroad as anyone.
  • A water horse from the loch comes to the village dance as a young man in very long pants. Lore: some accounts say a kelpie in human form keeps its hooves. Cost: it is a dance, and he cannot.
  • A weaver who took in a stranger is asked never to open the door of the room where she works at the loom. Lore: in a Japanese folktale a crane repays a favor as a woman who weaves unseen. Cost: one look ends her stay.
  • An old shifter in a nursing home visits the garden at night as a moth, and the night nurse has begun leaving a window open. Tell: dust on the pillow. Cost: a kindness she can never thank anyone for.
  • Two shifters share an office for years, each hiding it from the other. Tell: both keep spare shoes in three sizes. Cost: all the lunches they ate alone.

Stuck in the wrong shape 25

  • A boy stuck as a goldfish must make his little sister understand, with nothing to say it in but swimming. Tell: he swims the first letter of his name. Cost: she is four and cannot read yet.
  • A boy stuck as a house cat has to get his homework handed in. Tell: paw prints in the margin. Cost: the teacher is allergic.
  • A boy stuck as his own teacher has to teach the class. Tell: he asks permission to leave the room. Cost: he sets a test he has not studied for.
  • A boy who became a wolf to win a race is now the fastest thing at a school that does not enroll wolves. Tell: his tail wags at the bell. Cost: he stays a wolf until he says why he did it.
  • A girl is stuck as a statue in the park until somebody guesses her name. Tell: no pigeon will land on her. Cost: hearing every wrong guess.
  • A girl stuck as a crow has to stop her family from reporting her missing. Tell: she taps the window in the rhythm of her knock. Cost: a pie on the sill she cannot leave alone.
  • A shifter is stuck as a large dog in a town with a leash law and nobody to hold the other end. Tell: he reads the notice. Cost: asking a stranger for help without a word.
  • A shifter is stuck as a teapot in a thrift store, priced, and it is Saturday. Tell: she is warm with no tea in her. Cost: the buyer is someone she owes money.
  • A shifter is stuck in a shape nobody has a name for, and the vet, the doctor and the plumber each send her on. Tell: three legs or five, depending on the stairs. Cost: she is famous before she is herself.
  • A shifter stuck as a bicycle is locked to a railing by a well-meaning passer-by. Tell: the bell rings by itself. Cost: it is a very good lock.
  • A shifter stuck as a child of six has to go back to school and pretend not to know long division. Tell: she reads the teacher's notes upside down. Cost: nap time, which she is starting to like.
  • A shifter stuck as a housefly has one summer day to reach somebody who can help, and a window in the way. Tell: she lands on the same printed word every time. Cost: the reader is holding the newspaper rolled up.
  • A shifter stuck as a library book gets borrowed. Tell: her pages are warm. Cost: being read aloud to a toddler, twice a night, for three weeks.
  • A shifter stuck as a portrait of herself hangs in a gallery whose guard keeps straightening her. Tell: her eyes really do follow people. Cost: closing time, every night, in the dark.
  • A shifter stuck as his own brother has to go to his brother's job interview. Tell: he signs with the wrong hand. Cost: he gets the job, and his brother wanted it.
  • A shifter stuck halfway, with one arm a wing, learns to wear a coat over one shoulder like a fashion. Tell: the sleeve moves in still air. Cost: he has started a trend he cannot explain.
  • A shifter trapped as a horse is sold at a fair to a kind man who is going a long way in the wrong direction. Tell: the horse stops to read signposts. Cost: every mile out is a mile to walk back.
  • A shifter who became a seagull to skip the ferry fare cannot remember how to stop. Tell: she still waits in line. Cost: a whole summer of other people's fries.
  • A shifter who became rain to cross a border has fallen on three different countries. Tell: every puddle of her shows the same face. Cost: gathering herself takes a season.
  • A shifter who hid as a coat on a rack is taken home by the wrong person. Tell: the pockets are warm. Cost: a week of someone else's life at close range.
  • A shifter who hid as a snowman on a warm afternoon has to remember the way back before the thaw. Tell: the carrot is on perfectly straight. Cost: a cold that lasts until spring.
  • A trickster turns into a pot of gold to fool an old woman, who is delighted with every worse thing he becomes after it. Lore: in the English tale of the Hedley Kow the gold turns to silver, iron, then stone. Cost: his joke has no victim.
  • An ogre who can be anything is dared by a visiting cat to become something small. Lore: in the old tale of the cat in boots, an ogre is tricked into becoming a mouse. Cost: this ogre's pride.
  • An old shifter decides to stay as an oak, and her family has to work out how to visit. Tell: acorns fall only on the ones who argue. Cost: nobody can ask her advice, and everybody does.
  • To win a friend back from the fairies, a girl must hold on to him while he is turned into one thing after another. Lore: in the Scottish ballad of Tam Lin, Janet holds on through every change. Cost: she cannot flinch once.

A shifter among us 25

  • A class of twenty-six has twenty-seven on the register on rainy days. Tell: the extra child is always dry. Cost: the teacher has grown fond of whoever it is.
  • A detective has to work out which of five identical witnesses is the shifter, and all five are being very helpful. Tell: one copies the detective's yawn a beat late. Cost: the real witness is insulted.
  • A dog show has one entrant who has won every class as a different breed. Tell: the same crooked tooth. Cost: a trophy cabinet that is somebody's whole secret life.
  • A family suspects its very patient babysitter of being a shifter, because the children describe someone different each time. Tell: always the same laugh. Cost: asking would mean finding another babysitter.
  • A grandmother tells her grandchildren that one of the hens is their great-aunt, and will not say which. Tell: one hen wipes her feet at the door. Cost: breakfast is never simple again.
  • A hospital ward has a visitor who comes as whichever relative could not make it. Tell: he always brings grapes. Cost: keeping forty families' news straight.
  • A new student is whoever each friend needs her to be, and one day three friends compare notes. Tell: she is a different height in each memory. Cost: none of them has met her.
  • A school relay team keeps winning with a fourth runner nobody can describe afterward. Tell: the baton comes back with tooth marks. Cost: a record that cannot be entered.
  • A shifter enters the town's look-alike contest as the mayor and comes third. Tell: the real mayor comes second. Cost: learning who the town thinks its mayor is.
  • A shifter has been attending town meetings as an empty chair. Tell: the chair gets counted in the vote. Cost: one evening, somebody sits down.
  • A shifter has replaced the office plant, and the work has never gone better. Tell: the plant has moved nearer the coffee machine. Cost: nobody waters her on the weekend.
  • A shifter in a small town earns an honest living as whatever is missing: a fourth for cards, a goalpost, a witness. Tell: she always leaves at dusk. Cost: nobody has ever invited her as herself.
  • A shifter is hired to be the audience at a failing theater, a different crowd every night. Tell: the whole front row coughs at once. Cost: the actors start playing only to her.
  • A substitute teacher looks a little more like the regular teacher every day of the week. Tell: by Friday, the same handwriting. Cost: on Monday, nobody is sure which of them came back.
  • A town's stray cat, its relief mail carrier and its substitute organist have never been seen at the same time. Tell: all three limp on wet days. Cost: the town has to decide whether it minds.
  • A village knows its shifter perfectly well and has agreed, for sixty years, not to say so. Tell: everyone greets the heron by name. Cost: a newcomer who will not stop asking.
  • An old man of the sea who knows the future changes shape so that nobody can ask, and a fisherman's daughter decides to hold on. Lore: in Greek myth Proteus answers only someone who can hold him. Cost: both hands, all night.
  • At a family reunion there is one cousin too many, and every branch assumes he belongs to another branch. Tell: he knows the old stories slightly wrong. Cost: he only wanted to belong to somebody.
  • The crew of a small fishing boat counts seven at sea and six in port. Tell: the seventh never eats. Cost: whoever asks first will change the luck.
  • Guards at a mountain pass have counted the same goat through eleven times, and eleven travelers are unaccounted for. Tell: the goat carries a bag. Cost: the guard who notices is fond of goats.
  • The new cat at the bookshop reshelves. Tell: she files by author, correctly. Cost: the owner cannot pay a second assistant, and she knows it.
  • Someone in the village choir is a shifter, and the only clue is that the tenors sound different every week. Tell: one voice has no fixed range. Cost: the choir is better for it and cannot say why.
  • Three shifters turn up at the same costume party as the same guest: the host. Tell: only one knows where the glasses are kept. Cost: the host learns how each of them sees her.
  • Two rival shifters chase each other through a market, each answering the other's shape with a better one. Lore: in old ballads a hawk comes after the dove and a greyhound after the hare. Cost: the stalls.
  • Walkers in an old forest keep meeting a man who stands as tall as the pines among pines and knee-high in the meadow. Lore: in some Slavic beliefs the leshy can be tree-high or no taller than grass. Cost: no two walkers agree.

How it works

Each shapeshifter writing prompt here gives a character the same power, changing shape, and a different problem with it. The line underneath names the tell, the detail that gives the shifter away, and what the change costs.

Read the full guide

Four problems with one power

The first change is a surprise: a swimmer wins a race as an otter and cannot keep the medal. Hiding it is a long strain, as for the girl who changes when she laughs and so never does. Stuck in the wrong shape comes with a deadline. A shifter among us is told by the people who suspect.

Shapeshifter myth writing prompts

Thirteen prompts borrow from old stories, and the group Out of myth and folklore holds them: a selkie's sealskin, a fox with a second tail, a kelpie that keeps its hooves in human form, a sea god who must be held through every change. The line under each says what the old story holds.

  • Choose the tell before the plot. A shifter with no tell cannot be caught, and then nothing is at stake.
  • Let the other shape want things. A girl stuck as a crow cannot leave a pie on a windowsill alone.

Questions and answers

What is a shapeshifter in a story?

A character who can change physical form. In folklore the change is sometimes chosen and sometimes forced, and it often hangs on a thing that can be lost or stolen: a selkie's seal skin, a swan maiden's feathered coat.

Which shapeshifters come from myth?

Many. This list borrows the selkies of Scotland's Northern Isles, the kitsune and tanuki of Japan, the kelpie of Scottish lochs, the púca of Celtic folklore, the Slavic leshy and Proteus, the Greek old man of the sea.

How do I write a shapeshifter character?

Decide what sets off the change, what never changes and what the change costs. Each prompt supplies the last two. A bank teller who changes only in the shower hums lower than any teller could, and that is his tell.

Are these prompts scary?

No. Nobody is hurt and no shifter here is a monster. The trouble is comic or a little sad: a shifter stuck as a library book is read aloud to a toddler twice a night.