Scratch Art Ideas for Rainbow Paper and Scratchboard

Three subjects that glow on black per press, with the paper each suits, the minutes it takes and the stroke that does the work.

Show all 71
  1. Street lamp with rain slanting through its glowWhite, 20 minutes. Rain shows only inside the cone of light: slanted dashes there, none outside, a bright puddle below.
  2. Starfish on rippled sandEither, 15 minutes. Five arms stippled in rows of bumps. Sand ripples are long wavy lines that bend round each arm.
  3. Cherry blossom branch against the nightRainbow, 25 minutes. Scrape the branch thick and knobbly. Each flower is a ring of rounded petals with dots inside.

All 71 ideas

Rainbow paper 48

  • Campfire sparks rising into the dark Rainbow, 15 minutes. Flames are tall S strokes pulled upward. Sparks are dots and ticks that shrink as they climb.
  • Car light trails along a winding night road Rainbow, 15 minutes. Pairs of long unbroken strokes that follow the bends and close up with distance. No stops.
  • Cherry blossom branch against the night Rainbow, 25 minutes. Scrape the branch thick and knobbly. Each flower is a ring of rounded petals with dots inside.
  • Chrysanthemum firework bursting over rooftops Rainbow, 15 minutes. Straight trails from one centre, longest at the top, a dot on each tip. Roofs stay plain black.
  • City skyline with only the windows scratched Either, 25 minutes. No outlines. Rows of tiny lit windows build each tower, and the dark gaps between are the walls.
  • Coiled snake with diamond scales Rainbow, 35 minutes. Cross-hatch the body with two sets of curved lines that wrap round it. The diamonds are the scales.
  • Comet with a long fanned tail Either, 15 minutes. Scrape the head bright, then pull long strokes behind it, close at the head and wide at the end.
  • Dandelion clock with seeds drifting off Either, 20 minutes. Fine spokes from a small centre, a tiny starburst on each tip. Let five or six seeds drift away.
  • Dragonfly with net-veined wings Rainbow, 25 minutes. Four long wings, each with a strong front edge and a mesh of tiny cells behind. Body in segments.
  • Fern frond unrolling Either, 20 minutes. One arched stem ending in a tight curl. Leaflets in pairs, longest mid-stem, each a row of flicks.
  • Ferris wheel lit up at night Rainbow, 30 minutes. Trace a cup for the rim. Spokes are dotted rows of bulbs, not solid lines. Each cabin is an arc.
  • Fingerprint whorl filling the sheet Either, 20 minutes. A tiny loop in the middle, echoed outward in ridges that never touch. Break a ridge now and then.
  • Fish covered in overlapping scales Rainbow, 25 minutes. Rows of small U shapes from head to tail, each row in the gaps of the last. Fins are fanned lines.
  • Fox curled asleep, tail over its nose Either, 30 minutes. Long strokes on the tail, short on the face. Scratch the tail tip and chest hardest: whitest fur.
  • Hedgehog curled into a ball Either, 20 minutes. All flicks, each starting at the body and lifting off at the tip. Spines lean back from the nose.
  • Hot air balloons in stripes and checks Rainbow, 20 minutes. Panels curve from crown to basket, narrow at both ends. A new fill per balloon. Sky stays black.
  • Hummingbird with a glittering throat Rainbow, 30 minutes. The throat patch is dots and tiny ticks packed tight. Blur each wing with three faint arcs.
  • Jellyfish trailing long tentacles Rainbow, 20 minutes. Curved hatching on the dome, brightest on top. Tentacles are long wavering pulls, frilly inside.
  • Kaleidoscope of six mirrored wedges Rainbow, 35 minutes. Rule three lines through the centre. Whatever goes in one wedge goes mirrored in the one beside it.
  • Leaf skeleton, veins only Either, 25 minutes. Midrib, side veins, then a net of tiny cells between them. No outline: the vein tips make the edge.
  • Lionfish with fanned, banded spines Rainbow, 35 minutes. Long separate spines fan from the back, each banded light and dark. Body bands run top to bottom.
  • Mandala built outward from one dot Rainbow, 40 minutes. Mark faint rings with a compass point. Finish one shape all the way round a ring before the next.
  • Moon phases in a row of coin circles Either, 15 minutes. Trace a coin for each moon. From new to full, clear a little more of each disc with close hatching.
  • Nautilus shell cut in half Either, 25 minutes. A spiral that widens as it turns, split into chambers by curved walls. Hatch one end of each.
  • Northern lights hanging in curtains Rainbow, 25 minutes. Close upright strokes, long and short, hung from a wavy line. Pine tops stay solid black below.
  • Octopus with suckers along every arm Rainbow, 35 minutes. Eight curling arms. Suckers are rows of small rings that shrink toward the tips. Stipple the head.
  • One word as a glowing tube sign Rainbow, 15 minutes. Write in joined-up letters, then scratch a second thinner line beside every stroke to make a tube.
  • Orion with his belt of three stars Either, 10 minutes. Seven stars: three in a tight slanted row, four at the corners. Join them with faint ruled lines.
  • Paisley teardrops nested inside each other Rainbow, 30 minutes. Draw one big curled teardrop, then echo its edge inward four or five times, a new fill per band.
  • Peacock tail feather with its eye Rainbow, 25 minutes. The eye is nested ovals with the middle one left black. Long loose barbs sweep out from the shaft.
  • Ringed planet above a black hillside Rainbow, 15 minutes. Curved hatching on one side of the globe only. The ring is two thin ellipses that break behind it.
  • Row of tulips hatched along the curve Rainbow, 20 minutes. Three overlapping petals a cup. Hatch each along its curve and leave a black gap where two overlap.
  • Sampler of nine texture squares Either, 20 minutes. Rule a three by three grid. One mark per square: hatching, cross-hatching, stipple, scales, waves.
  • Sea turtle from above, shell plates scraped clear Rainbow, 30 minutes. Big shell plates with a ring of small ones round the rim. Flippers carry small uneven scale shapes.
  • Seahorse built from bony rings Rainbow, 25 minutes. Stack ridged rings from the neck down to a curled tail. The crown on the head is a few spikes.
  • Shoal of small fish turning together Rainbow, 15 minutes. Each fish is one almond scratch with a tail tick. Make fifty, all pointing along the same curve.
  • Single feather with split barbs Either, 15 minutes. One curved shaft, fine strokes leaving it at a slant. Leave two or three V gaps where barbs part.
  • Spider hanging from one thread Either, 10 minutes. One ruled line from the top edge. Two scraped ovals for the body and eight bent legs, four a side.
  • Spiral galaxy made entirely of dots Rainbow, 30 minutes. Stipple, never drag. Pack dots tight in the core and thin them along two curling arms.
  • Stained glass window with the lead left black Rainbow, 35 minutes. Scrape whole panes clear and leave a thin black line between them. The sheet supplies the colours.
  • Starfish on rippled sand Either, 15 minutes. Five arms stippled in rows of bumps. Sand ripples are long wavy lines that bend round each arm.
  • Sunflower head with spiralling seeds Rainbow, 30 minutes. Seeds are dots on curves that spiral both ways from the centre. Hatch each petal along its length.
  • Tall grass and seed heads at dusk Rainbow, 10 minutes. Fast upward flicks from the bottom edge, all lengths. The stroke thins as you lift, like a blade.
  • Two koi circling head to tail Rainbow, 30 minutes. Scales on the backs only, fins and tails as fanned lines, two or three ripple rings round the pair.
  • Wheat ears bending in the wind Either, 15 minutes. Each ear is a plait of small teardrops with a long whisker on every grain. Lean the stalks one way.
  • Willow firework drooping toward a lake Rainbow, 20 minutes. Trails rise a little, then fall in long curves. A few broken strokes below make the reflection.
  • Your name in block letters full of patterns Rainbow, 25 minutes. Outline fat capitals, then give each letter its own fill: stripes, dots, scales, zigzags, checks.
  • Zigzag and wave bands across the sheet Rainbow, 10 minutes. Rule bands of mixed width and fill each with one repeat. Wide scraped bands show the colour change.

White or silver on black 23

  • Anglerfish lit by its own lure White, 25 minutes. Scrape the lure bright and stipple a halo round it. Show only what it lights: teeth, an eye, the jaw.
  • Bare winter tree, every twig White, 30 minutes. Scrape the trunk, then split each branch in two again and again, thinner each time, to hairlines.
  • Barn owl face, feathers fanning from the beak White, 40 minutes. The face is a heart shape. Short strokes run from between the eyes out to its rim. Eyes stay black.
  • Bat with light shining through its wings White, 20 minutes. Long finger bones fan from the wrist. Hatch the skin between them lightly so it looks thin.
  • Black cat shown by whiskers and rim light White, 15 minutes. The sheet is the cat. Scratch only the lit edge of the ears and back, two eyes and the whiskers.
  • Compass rose with sixteen points White, 25 minutes. Four long points, four medium, eight short. Hatch the left half of each, leave the right half black.
  • Coral reef cut out against surface light White, 30 minutes. Light rays are long ruled wedges from the top edge. Coral and fish stay black against the hatching.
  • Crescent moon behind bare branches White, 20 minutes. Mark the branches first, then scrape the crescent round them so they stay black against it.
  • Forked lightning over a flat horizon White, 10 minutes. One thick jagged stroke, thinner forks leaving it at sharp angles. Forks point down and never rejoin.
  • Frost ferns creeping across a window White, 25 minutes. Feathery branches grow in from the corners, each with side branches. Leave the middle black.
  • Full moon with dark seas and crater rings White, 20 minutes. Scrape the disc with a flat edge but leave cloudy patches black for the seas. Tiny rings at the rim.
  • Lighthouse beam sweeping across a dark sea White, 25 minutes. The beam is a wedge of ruled hatching that thins further out. Short dashes catch the wave tops.
  • Mushrooms with gills seen from below White, 20 minutes. Gills are fine lines from the stem to the cap edge. Pack them tight and let a few stop short.
  • Orb web beaded with dew White, 25 minutes. Rule the spokes from the hub first. Then sagging threads between them, dots strung on the low ones.
  • Pine branch with needles and one cone White, 25 minutes. Needles are straight flicks in pairs off the twig. Cone scales overlap, each lit on its lower edge.
  • Rabbit in profile, fur made of dots White, 30 minutes. Dots and the shortest flicks only, denser where light hits the cheek and back. One dot in the eye.
  • Six-armed snowflake ruled from three lines White, 15 minutes. Rule three lines through one point for six arms. Whatever you add to one arm, add to the other five.
  • Spiral staircase seen from above White, 30 minutes. A spiral from the centre, cut into wedge steps. Hatch every step on the same side so light agrees.
  • Street lamp with rain slanting through its glow White, 20 minutes. Rain shows only inside the cone of light: slanted dashes there, none outside, a bright puddle below.
  • Tiger face with stripes left as bare black White, 45 minutes. Scratch the fur between the stripes and the stripes appear unaided. Whiskers last, in fast pulls.
  • Whale tail lifting from moonlit water White, 20 minutes. Scrape only the top edge of the flukes. Dashes for water running off, broken lines for the moon path.
  • Wolf howling, fur scratched in layers White, 45 minutes. Strokes follow the coat: down the neck, back along the body. Overlap the rows like roof tiles.
  • Zebra head where you scratch only the white White, 35 minutes. The sheet supplies the black stripes. Keep edges clean and let the stripes narrow round the muzzle.

How it works

Fireworks, fur, feathers, webs, anything that glows: 71 subjects picked because they look better as bright lines on black than in pencil. Each names the paper it suits, rainbow or white, gives a time, and says which stroke does the work. On scratchboard you draw the light and leave the dark alone.

Read the full guide

Every mark is a highlight

With a pencil you add the darks. Here the sheet is already dark, and the skill is leaving black alone. That is why the cool scratch art ideas are night subjects: a skyline built only from lit windows, a black cat shown by whiskers and rim light. Traditional scratchboard is white china clay under black ink, and its classic marks are stippling and cross-hatching.

Rainbow paper or white

Rainbow paper hides patches of colour under the black, and you cannot choose which colour a line lands on. Give it wide scraped areas or hundreds of small marks: stained glass panes, fish scales, a chrysanthemum firework. White or silver sheets suit fur and feathers, where tone comes from how close the strokes sit. The 16 ideas marked Either suit both.

  • Work over a tray or newspaper. The black coating comes off as fine crumbs, and tipping them into the bin beats blowing them across the table.
  • A scratch cannot be rubbed out. Plan on thin paper, chalk the back, lay it on the sheet and trace. Chalk wipes off afterwards.
  • Pull fur strokes the way the coat grows and lift off at the end, so each line thins like a hair.

Questions and answers

What can I scratch with if the wooden stick is lost?

Anything with a firm point or edge that will not tear the sheet. A cocktail stick gives the finest line, and the edge of a coin clears wide areas. The prongs of an old fork pull several parallel lines at once, quick for rain and grass. Artists on clay scratchboard use a needle or a blade. Those are adult tools.

Can I make scratch art paper at home?

Yes. Art classes teach it as sgraffito, from the Italian for scratching off. Cover thick paper edge to edge with bright oil pastel, then paint black ink over the top and let it dry. A homemade sheet scratches softer than a bought one, so start with bold, easy scratch art ideas: hot air balloons, zigzag bands, your name in block letters.

Is scratch art the same thing as scratchboard?

It is one technique at two levels. Scratchboard, also called scraperboard, began in Britain and France in the 19th century for fine-line print illustration: card coated in white clay, then black ink. The classroom version puts rainbow or silver under the black.