How it works
Each of these 100 ideas for stakes for stories is something a character stands to lose, from a lane on the relay team to a kingdom's spring. Under it are the clock that makes it urgent and one way to raise it.
Read the full guide
Five sizes of stake
The smallest is one person's place or good name: a seat in the orchestra, a blue-ribbon streak. Next comes a bond between two people, then a home or a living, then a whole town. The largest group puts a kingdom, a world or the future at risk, and most of those still rest on one person.
The clock and the raise
A deadline forces the choice, so each stake has a line marked Clock: time trials on Friday at four, the bank on the first of October. The line marked Raise it is what goes wrong partway through: the younger swimmer is her sister, the best field floods in September.
- Pair a small stake with a large one. A reader worries about the town through the one family that is packing.
- Name the stake on the first pages, before anything threatens it.
Questions and answers
What are good stakes for a story?
Ones a reader can picture being lost. On this list a bookshop stays open only if it sells four hundred books this month, and a brother has promised to be at his sister's recital on the night of his team's final.
How do you raise the stakes in a story?
Add a second cost to the first. Every line marked Raise it does that. A student's only tutor is the boy she beat for the scholarship. A village needs a bell rope, and the only one long enough is holding the ferry.
Do the stakes have to be life or death?
No. No death is the named stake in any of these 100. A place on a team, a friendship, a lease and a town's only school are enough when the loss is real to the person facing it.