Bard Backstory Generator: Craft, Road and One Famous Night

Press New backstory for a bard's training, craft, rival, best night and the keepsake they carry.

Learned the craft from a mother who rhymed the shopping list. Performs riddles that take a week to answer. Took to the road to find a singer for a tune written for two. Rival or patron: an act that is always booked for the bigger room. Still remembered for a song that the next valley swears is theirs. Keeps a handbill from the show that made them start.

Padlock: keep a part. Arrows: change only that part.

  • Learned the craftfrom a mother who rhymed the shopping list
  • Performsriddles that take a week to answer
  • Took to the roadto find a singer for a tune written for two
  • Rival or patronan act that is always booked for the bigger room
  • Remembered fora song that the next valley swears is theirs
  • Keepsa handbill from the show that made them start
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    Learned the craft: all 60 trainings

    In the family 12

    • by losing every bedtime argument in rhyme Arms folded, chin up: the pose of someone about to rhyme their way out.
    • by standing on a box at the family's market stall A voice trained to carry over haggling. Show the box, kept and battered.
    • by turning pages for an older sister at the keys One hand hovers near any open book, ready.
    Show all 60 trainings (57 more)

    In the family, continued

    • from a cousin who taught only the funny verses Grinning before the punchline. They have never learned to hide it.
    • from a father who whistled while he mended nets Fingers that still knot the air when a tune gets tricky.
    • from a grandfather who drummed on every table Fingertips flattened from knocking wood.
    • from a grandmother who sang at every wedding in town Same wide stance, same hand on the chest. Draw them side by side forty years apart.
    • from a mother who rhymed the shopping list A scrap of paper in the hatband: eggs, legs, pegs.
    • from a stepmother who had been on the stage once A bow far too grand for the room, learned in a kitchen.
    • from an aunt who tuned bells for a living A head tilted to one side, listening for the overtone.
    • from an uncle who told one story for forty years They can tell it in his voice, down to the cough before the ending.
    • in a household where supper was sung for A fork held like a tuning fork. They hum before they eat.

    Schooled and apprenticed 12

    • as a prompter hidden under a stage Lips move along with anyone else's speech.
    • as apprentice to a puppet troupe One hand always slightly raised, as if a puppet were still on it.
    • as the back legs of a pantomime horse Bends at the waist a little too easily. Never minds not being seen.
    • at a music school they could not afford to finish Half a certificate. The torn edge is kept in the instrument case.
    • at a school for heralds, where volume counted A chest that fills like a sail before the first word.
    • behind the big drum in a parade band They still step off on the left foot when music starts.
    • carrying instruments for better players Strong shoulders and a habit of setting things down gently.
    • copying songbooks for a collector who never sang Ink on the fingers and a neat hand even in a hurry.
    • from a dancing master who needed a drummer Watches feet, not faces, to find the beat of a room.
    • in a town choir, until the solo went elsewhere Standing one step forward of a row that is no longer there.
    • pumping the bellows for an organist Forearms like a baker and a sense of rhythm from the lever.
    • under a master who allowed one note a week Enormous patience, and a first note that is perfect.

    Self-taught 12

    • alone, from a songbook with half its pages gone Every tune they know has a gap they filled in themselves.
    • by ear, outside the window of a music lesson A crouch under a sill, chin on the knees, eyes shut.
    • by echo, shouting verses into a quarry A pause after every line, waiting for the reply.
    • by mishearing every song and keeping the mistakes A crowd singing one word while they cheerfully sing another.
    • by playing a fence with a stick until it sang A stick tucked in the belt beside the real instrument.
    • by repeating everything a town crier said Clear, slow and slightly too loud for indoors.
    • during a winter indoors with one book of poems The book is in a coat pocket, soft as cloth.
    • from birds, and it shows in the high notes Head thrown back, throat long, like a wren on a post.
    • from the rhythm of a mill wheel Everything they play turns over at the same steady pace.
    • on an instrument found in a flooded cellar The wood is warped. So is their idea of how it should sound.
    • out of boredom on a long sheep watch A crook in one hand, a whistle in the other, sheep unimpressed.
    • to win an argument with a sibling, then kept going A pointing finger mid-verse, aimed at nobody now.

    On the road 12

    • at a horse fair, trading verses for meals A bowl in one hand and an audience of dealers leaning on a rail.
    • from a fiddler who knew a song for every road Two figures walking, one bow sawing the air to mark the miles.
    • from a one-person band who needed a rest Cymbals between the knees are harder than they look. Draw the bruise.
    • from a rival who taught them by mocking them One raised eyebrow, borrowed and never given back.
    • from a storyteller who paid them to carry her drum The drum strap has worn a pale line across one shoulder.
    • from a troupe of players that left without them A handful of costumes that do not match and a part in every play.
    • from a walker who sang to stay awake A steady stride and a tune that fits it exactly.
    • from sailors, one verse for every port Verses tied on a cord like knots, counted off with a thumb.
    • from shepherds calling across a valley Hands cupped to the mouth and a note thrown like a stone.
    • in the line for a river crossing that took a month A crowd on a bank with nothing to do but listen.
    • on a barge whose pilot hated silence Sitting on the cabin roof, feet swinging, the bank sliding by.
    • round the cooking fires of a wintering circus Firelight from below and a strongman keeping time on a pot.

    Stranger teachers 12

    • after a dream they have been writing down since A notebook by the bed and a pencil on a string.
    • by accident, covering for an actor with hiccups Pushed on from the wings, one arm still reaching back.
    • by answering an owl, and being answered A dark branch, two round eyes and a very small listener below.
    • from a bell-maker who judged notes with a fingertip One finger laid against the instrument, feeling for the hum.
    • from a ghost story they were too scared to stop telling Wide eyes, quick words, a blanket worn as a cape.
    • from a kettle that whistled a better tune each morning A kettle on a hob and a figure leaning in with a hand behind one ear.
    • from a music box with one tune and a slipping gear They still play that tune with the same small stumble.
    • from a songbird that only knew one tune A cage with its door open and a bird that stayed anyway.
    • from a songbook in a language they cannot read Sung by shape and guesswork, with great feeling.
    • from an old instrument that already knew the tunes Holding it at arm's length with respect and a little suspicion.
    • from rain on different roofs Sitting under an eave with a row of pots set out to catch notes.
    • from the town clock, which taught them to count bars They glance up at any tower before starting.

    How this list was compiled: Original list written for Draw This Next, September 2026. Each entry is one teacher or one accident, so a second figure or a place can stand in the drawing beside the bard. The page's use of the word (a bard made up verse and sang or recited it for a patron) was checked on 2026-09-30 against https://en.wikipedia.org/wiki/Bard. The notes on what to draw are our own suggestions. Licence: own work

    Performs: all 60 crafts

    Strings and keys 12

    • drone songs over one held note On a hurdy-gurdy the drone strings hold that note. Show a still left hand.
    • duets with whoever happens to be there Two players, one confident, one handed an instrument a moment ago.
    • fiddle reels at a speed that worries the fiddle Blur the bow arm and keep the face perfectly calm.
    Show all 60 crafts (57 more)

    Strings and keys, continued

    • hurdy-gurdy tunes for dancing One hand cranks a wheel that rubs the strings. Draw that elbow mid-turn.
    • lullabies on anything with strings Playing a washing line. A baby in the scene is already asleep.
    • lute songs about other people's troubles A lute has a deep round back. It sits against the ribs like a held melon.
    • old dances on a borrowed accordion Straps let out to the last hole. It belongs to someone larger.
    • one long tune that changes with each town A notebook of the same melody written twenty slightly different ways.
    • pieces for a harp small enough to carry The harp rests on one knee. Fingers on both sides of the strings.
    • requests, unless it is the sad one A hand raised in the crowd and the bard already shaking their head.
    • slow airs on a guitar with a patched top Show the patch: a square of paler wood near the sound hole.
    • wedding marches, always a little too fast A couple hurrying down an aisle to keep up.

    Wind and drums 12

    • a drum roll that takes a full minute to arrive The crowd leaning forward by degrees.
    • a horn call that carries a mile Seen from a mile off: a tiny figure and birds lifting from the trees.
    • bagpipe tunes, outdoors, by popular demand The audience stands well back. Draw the gap.
    • bird calls, eleven species so far Hands cupped at the mouth and a tree full of confused birds.
    • duets on two pipes, one in each corner of the mouth Eyes crossed slightly with the effort.
    • flute pieces copied from birds A bird on the end of the flute, checking the work.
    • frame drum rhythms for walking to A frame drum is wide and shallow. One hand holds it, the other plays.
    • marching beats on a drum bigger than they are Only the hat and the sticks show above the rim.
    • rhythms on whatever the kitchen has Pots hung by size from a pole across the shoulders.
    • shawm fanfares loud enough for a field A shawm is a double-reed pipe. Cheeks out, bell of the pipe raised high.
    • the spoons, with total seriousness Formal posture, formal bow, two soup spoons.
    • tin whistle jigs Elbows in, fingers flying, one foot off the ground.

    Voice and verse 12

    • a single very long joke The audience at minute nine: half asleep, half on the edge of the bench.
    • epics, one chapter an evening The same listeners in the same seats, a night older each panel.
    • insult verse to order A contest of insults in verse is a flyting. One finger points, one hand takes the fee.
    • laments for small losses: a hat, a button Deep mourning pose, tiny object held up to the light.
    • news in rhyme, a day behind the news Standing on a barrel with yesterday's paper folded under one arm.
    • praise songs for whoever is paying The patron sits up straighter with each verse.
    • riddles that take a week to answer A crowd frowning at the sky while the bard packs up.
    • rounds that the whole room has to finish Conducting three tables at once with both arms and a nod.
    • tongue-twisters at rising speed Sweat on the brow and a metronome hand in the front row.
    • unaccompanied ballads A ballad is a story in verse. Draw empty hands and a mouth wide open.
    • verses made up from the crowd's shouts Three hands in the air and a bard pointing at the strangest one.
    • work songs for jobs they have never done Hauling an invisible rope with great conviction.

    Stories and shows 12

    • a play they wrote at twelve and never fixed Wooden sword, paper crown, lines delivered with adult gravity.
    • bedtime stories for rooms full of grown-ups Tired carters in nightcaps, chins on fists.
    • fables in which the fox is clearly the mayor The mayor in the front row, not laughing.
    • ghost stories with a candle under the chin Underlit face, long nose shadow, children delighted.
    • histories of whichever town they are in, mostly true Pointing at a real building with total authority.
    • impressions of the last town for the next one Shoulders hunched as a well-known baker two valleys back.
    • mime, to the relief of the back rows Trapped in an invisible box, glancing out to check it is working.
    • one-person plays, changing hats for each part A stack of hats on the floor and one in mid-air.
    • puppet shows with two puppets and nine voices Head down inside the booth, mouth doing all the work.
    • recitations with far too many gestures Six arms' worth of motion lines on a two-armed figure.
    • shadow plays behind a bedsheet Light from behind, hands making a wolf, feet visible under the sheet.
    • stories that stop one line before the end Walking off as a whole crowd rises to its feet in protest.

    Stranger acts 12

    • a song for each customer's name Leaning down to ask a child how it is spelled.
    • changes rung on a rack of mismatched bells A cowbell, a doorbell and a ship's bell on one frame.
    • duets with their own echo Facing a cliff, one hand raised for the echo's turn.
    • lists set to music: cargo, laws, a menu Singing from a chalkboard with real feeling.
    • music from water glasses filled to different heights Wet fingertips on a row of rims, tongue between the teeth.
    • the same song in a different mood each night A calendar of faces: cheerful Monday, furious Tuesday.
    • saw music with a bow and a bent blade The saw gripped between the knees, the blade curved like an S.
    • silences, timed and bowed for A deep bow to a room in which nothing has happened.
    • songs sung backward on request Reading from a sheet held up to a mirror.
    • tunes on a comb and paper The smallest instrument in the family, played with a soloist's pride.
    • weather forecasts, sung, and usually wrong Singing of sunshine with rain running off the hat.
    • whistled tunes in two notes at once Lips to one side. A dog in the scene has both ears up.

    How this list was compiled: Original list written for Draw This Next, September 2026. The instruments and forms that hints describe were checked on 2026-09-30 against their Wikipedia articles: https://en.wikipedia.org/wiki/Hurdy-gurdy (a string instrument sounded by a hand-cranked wheel that rubs the strings, with drone strings), https://en.wikipedia.org/wiki/Lute (a necked string instrument, plucked, with a deep round back), https://en.wikipedia.org/wiki/Shawm (a conical double-reed woodwind), https://en.wikipedia.org/wiki/Frame_drum (a drum whose head is wider than the drum is deep), https://en.wikipedia.org/wiki/Ballad (verse, often a story set to music) and https://en.wikipedia.org/wiki/Flyting (a contest of insults, often in verse). The staging notes are our own suggestions. Licence: own work

    Took to the road: all 60 reasons

    Leaving home 12

    • after a review in verse from their own mother A letter with the corners pinned, read on a milestone.
    • after one request too many to stop humming A whole household with fingers in their ears at breakfast.
    • after outgrowing every stage at home A barn door with a chalked height mark far below their head.
    Show all 60 reasons (57 more)

    Leaving home, continued

    • because a map on the wall had always bothered them A finger tracing a road off the edge of the paper.
    • because standing still made the tunes go flat Playing while walking backward out of a doorway.
    • because the only other musician was better Two instrument cases at a crossroads. One is walking away.
    • the morning the family instrument became theirs A case too big for the back that carries it.
    • to find the second verse of a song they half know Humming the first verse at every stranger, hopefully.
    • to learn a song from every town with a bridge A notched stick, one notch for each bridge crossed.
    • to see whether the songs were true Standing in front of an ordinary hill that a ballad made enormous.
    • when the choir master suggested somewhere far away A gently pointing arm and a very long road.
    • when the town had heard all their songs twice A square of polite faces mouthing along a beat early.

    Debts and trouble 12

    • after a ballad named one name too many A crossed-out line in the songbook, pressed hard.
    • after a prank with the town bell and a goat The goat is in the belfry. Nobody is sure how.
    • after a verse about the mayor went too well A crowd still singing it as they leave by the back lane.
    • after winning a contest they were only meant to judge Holding the trophy like something hot.
    • because a contest of verses ended in a draw Two bards walking off in opposite directions, each looking back.
    • because a rhyme was mistaken for a promise An eager family on a doorstep holding a ring cushion.
    • because the landlord stopped taking songs as rent A ledger with tunes listed in the payments column.
    • one step ahead of an unpaid instrument maker A bill tucked in the strings, unpaid and unread.
    • to outrun a nickname Hat low, collar up, and a child three towns on already shouting it.
    • to return an instrument to someone's grandchild Two cases on one back. Only one is ever opened.
    • when a patron wanted the same song forever A music stand with one sheet nailed to it.
    • with a rival's best tune stuck in their head Fingers playing it on a table against their will.

    Chasing something 12

    • after a troupe whose wagon tracks they still follow Kneeling at a fork in the road, reading ruts.
    • chasing word of a hall with a perfect sound Running up a valley with the instrument bouncing on their back.
    • following a tune heard once through a wall An ear pressed to plaster and a pencil moving fast.
    • for one festival, years ago, and never turned back A faded festival ribbon still tied to the case.
    • in search of a crowd that does not clap politely Arms spread to a room that is stamping its feet.
    • looking for whoever taught them the first song A drawing of a face from memory, shown at every inn.
    • to collect the ends of old songs before they go Sitting beside the oldest person in each town with a notebook.
    • to find out who writes the songs nobody claims A songbook with the name line left blank on every page.
    • to hear how the sea sounds, and then kept walking Boots off at the tide line, instrument held clear of the spray.
    • to learn what people sing where nobody knows home A crowd teaching them a chorus with big, slow gestures.
    • to play in the one hall their teacher never reached A door seen from far down a street, lit from inside.
    • to trade stories for stories until they have them all A sack marked with other people's place names.

    By accident 12

    • after a wrong turn at a crossroads with good acoustics Singing at a signpost with four blank arms.
    • after being hired by mistake for a distant wedding Reading the invitation again in the back of a cart, puzzled.
    • as a stand-in for one night that became a season A costume cut for somebody taller, hemmed with pins.
    • as the only passenger on a boat with no rudder Playing in the bow as the bank slides past at the river's choosing.
    • because the applause came from the next valley A hand shading the eyes toward a ridge.
    • because the coach left with their instrument on it Running after a coach with one arm out and a bow in the other hand.
    • by falling asleep in a players' wagon Waking under a pile of costumes with a town they do not know outside.
    • by following a parade past the edge of town The last houses behind and a drum still going ahead.
    • on a dare that nobody remembered to call off A scrap of paper with three signatures and a date long gone.
    • when a storm closed the road home and opened another A fallen tree one way and a rainbow the other.
    • when the river took the bridge and the crowd was across it Wading with the instrument held overhead.
    • when the stage they stood on turned out to be a cart Still mid-bow as the cart pulls away.

    For someone else 12

    • because a child asked what was past the hill Looking back from the hilltop at a very small waving figure.
    • because a teacher's knees gave out and the route did not Walking an old circuit with someone else's stick.
    • because every town deserves one loud evening a year Arriving at dusk with every shutter on the street opening.
    • so a sister could keep the shop A shop sign glimpsed over the shoulder, getting smaller.
    • so that somebody would remember a town under a lake Singing at a shoreline to nothing but water.
    • to bring one song home to a grandmother A tune wrapped in a handkerchief, so to speak. Draw the careful hands.
    • to carry news between two villages that do not speak Standing on a boundary stone, facing one way and then the other.
    • to find a singer for a tune written for two Half a duet, played with the pauses left in.
    • to finish the circuit of a troupe that is now only them Setting out five stools before a show and sitting on one.
    • to pay for a brother's schooling out of a hat Coins counted into two piles, the larger pushed aside.
    • to play at every wedding of a very large family A list of cousins as long as an arm, half ticked.
    • to sing a friend's songs where the friend cannot go Two names on the songbook, theirs written second.

    How this list was compiled: Original list written for Draw This Next, September 2026. Each reason is a small one: a debt, a dare, a tune half heard. None is a tragedy, so any of them can sit beside any training or keepsake on the page. The notes on what to draw are our own suggestions. Licence: own work

    Rival or patron: all 60 patrons and rivals

    Patrons 12

    • a baker who names loaves after their songs A shop window of bread with name cards: the Lament, the Reel.
    • a child with one coin and firm tastes Arms folded in the front row, coin held up between two fingers.
    • a clockmaker who sets their tunes into music boxes A workbench of tiny combs and cylinders, one playing.
    Show all 60 patrons and rivals (57 more)

    Patrons, continued

    • a countess who pays in advice She leans from a carriage window mid-sentence. The purse stays shut.
    • a judge who hums along in court A gavel paused in the air and a clerk hiding a smile.
    • a merchant who buys every song and plays none A locked cabinet of sheet music with a glass front.
    • a retired general who only wants marches Boots tapping under a blanket, medals pinned to a dressing gown.
    • a ship's captain who wants a song for every port A chart with notes of music written beside the anchorages.
    • a society of twelve who agree on nothing but them A long table of people glaring at each other and clapping.
    • a town that keeps a room for them and never says why A bed made up, a window open, a card on the pillow.
    • a widow who asks for the same dance each spring She dances it alone with one arm held out.
    • an innkeeper who pays in soup and opinions A bowl pushed across a counter with one finger raised.

    Rivals 12

    • a child prodigy, eight years old and merciless Standing on a chair to reach the same height, grinning.
    • a critic who follows the tour by coach A notebook, a pencil licked to a point, a seat by the aisle.
    • a former partner who kept the good songs Half a duo. The poster has been cut down the middle.
    • a mimic who performs their act more neatly Their own gestures, done back at them with the corners tidied.
    • a piper who plays over them from the next field Two crowds back to back and a low hedge between.
    • a poet who answers every verse with a better one A folded paper arriving by messenger before the applause ends.
    • a printer who sells their words without asking A stall of song sheets with no name at the bottom.
    • a singer two towns ahead who uses their name Arriving to find their own poster already up, already old.
    • a songbird that upstages every outdoor show On the highest branch, mid-solo, with the audience looking up.
    • a twin with the better voice Same face, same hat, a slightly bigger crowd.
    • an act that is always booked for the bigger room Two doors: one with a line outside, one with theirs.
    • an old teacher who still corrects them from the crowd One raised finger in the third row.

    The crowd 12

    • a baby with perfect comic timing One shriek, placed exactly on the punchline.
    • a back row that only came in from the rain Dripping coats, steam rising, attention slowly caught.
    • a crowd that will not go home Dawn at the windows and somebody calling for one more.
    • a dog that howls on the high notes Nose up, eyes shut, more committed than the bard.
    • a front row that knows the words and says them early Mouths open half a beat ahead of the singer's.
    • a heckler who turns up in every town Same hat, same seat, same folded arms, different wallpaper.
    • a listener who weeps at the cheerful ones A handkerchief out during a jig.
    • a regular who requests songs that do not exist The bard inventing one on the spot, eyes on the ceiling.
    • a town that only claps for the encore Silent faces, then one enormous roar at the end.
    • a village that asks for the song they refuse to sing A banner with the title on it. They pretend not to read it.
    • an audience of one who sits through every show A single figure in an empty hall, coat on, smiling.
    • children who demand the puppet and nothing else Small fists drumming the edge of the stage.

    Troubles of the trade 12

    • a drum skin that hates the damp Holding the drum to a fire and tapping it hopefully.
    • a guild that fines rhymes made without a permit An inspector with a clipboard at the edge of the crowd.
    • a memory that drops the third verse A hand frozen in the air where the third verse should start.
    • a publisher who wants everything shorter A page of verse with all but two lines struck out.
    • a rival act booked for the same night and stage Two acts setting up from opposite wings, not looking.
    • a stage manager who dims the lights early The bard finishing a song in the dark, still bowing.
    • a troupe leader who pays in next month's promises A purse opened to show a folded note.
    • a voice that leaves for a week each winter A scarf to the eyes and a slate hung round the neck for talking.
    • a wagon wheel that squeaks in the wrong key Tuning the instrument to the wheel, defeated.
    • an agent who has never once found the right town A signpost, a map and an apologetic shrug.
    • an instrument that goes out of tune when praised A compliment in the air and a string visibly slackening.
    • bad weather that follows the tour like a fan One small cloud above the wagon on an otherwise clear day.

    Their own past 12

    • a mentor whose style they cannot shake A second pair of hands drawn faintly over their own.
    • a notebook of verses too true to perform Held shut with string. The string has been retied many times.
    • a perfect performance nobody saw An empty barn, a held last pose, dust in a shaft of light.
    • a promise never to play the old way again Left hand tied behind the back with a ribbon.
    • a reputation for a song they did not write Taking the bow anyway, eyes sliding sideways.
    • a stage name more famous than they are Standing unnoticed under a banner with the name on it.
    • a tune in their head that will not finish Six bars written out and a seventh rubbed thin.
    • the memory of a better singer in every hall Looking up at the rafters before starting.
    • the one town that did not laugh A pin stuck in a map, hard.
    • the shadow of a parent who was better known A poster in the background with the same surname in bigger type.
    • their own first song, which everyone still prefers Playing it for the thousandth time with a professional smile.
    • tomorrow night's audience, already expecting more A handbill promising something they have not invented yet.

    How this list was compiled: Original list written for Draw This Next, September 2026. A performer is shaped by who pays and who competes, so each entry is one such figure, or a crowd, or the bard's own past. Nobody here is cruel. The notes on what to draw are our own suggestions. Licence: own work

    Remembered for: all 60 performances

    The night it went wrong 12

    • a duet with a donkey that was not planned The donkey's head through the window, perfectly on the beat.
    • a high note that cracked a window and ended a quarrel Two people at a table looking at the same pane.
    • a solo to an empty room that was full by the end Three panels: one chair filled, then ten, then no floor to be seen.
    Show all 60 performances (57 more)

    The night it went wrong, continued

    • a song that got the landlord to forgive the bill A slate wiped clean with a sleeve and a sniff.
    • an encore that lasted until breakfast The cook arriving for work through a room of sleeping listeners.
    • the evening the stage gave way one plank at a time Standing on the last board, still playing.
    • falling off the stage in time with the music Mid-air, instrument held safely above the head.
    • forgetting the words and inventing better ones Eyes to the ceiling for one beat, then a grin.
    • the night the whole inn went silent Spoons stopped halfway to mouths. Draw the stillness, not the singer.
    • playing through a thunderstorm without noticing Hair on end, rain sideways, audience under the tables.
    • starting the wrong play and finishing it anyway Fellow actors frozen in costume for a different story.
    • the wedding where the wrong song was requested A bride mid-step, a groom mid-wince, the bard already committed.

    The night it went right 12

    • a ballad that got a bridge repaired Carpenters at work while the bard watches from the bank, arms folded.
    • a farewell song that made a whole dock miss the tide Boats still tied up and sailors wiping their eyes on their caps.
    • a joke that crossed the country faster than they did Arriving in a new town to hear their own punchline.
    • a lullaby that sent a rowdy crowd home to bed A square emptying on tiptoe.
    • a verse the mayor had carved over a door A stone lintel with one line on it and a chisel still on the step.
    • getting two feuding families to share a chorus A line down the middle of a hall and one song crossing it.
    • holding one note until the sun came up A long horizontal line across the drawing, from night into day.
    • making a tax collector laugh A stern face cracking, pen dropped, ink spreading on the ledger.
    • out-singing a storm Mouth open against the wind, coat streaming, clouds giving up at the edges.
    • playing every part when the troupe missed the coach One figure, five hats, a great deal of running.
    • the song that ended a ten-year silence between brothers Two old men on one bench, not looking at each other, both humming.
    • teaching a whole market to sing in three parts Fish stalls on the low part, cloth sellers on the high.

    The strange ones 12

    • a concert for one cow, at the farmer's request The cow chews. The farmer nods along from the gate.
    • a puppet show in which the puppet took the bow The puppet bows to the left. The bard, behind, looks surprised.
    • a show given from a rooftop during a flood Listeners in rowing boats, oars shipped.
    • a silence so long that somebody applauded it One pair of hands clapping in a frozen room.
    • a song that every dog in town joined Roofs, doorways and carts, each with a dog and an open mouth.
    • a song that the wind finished A sheet of music lifting off the stand, the bard letting it go.
    • a story told across a river by shouting Two banks, two crowds and hands cupped round every mouth.
    • a tune that set the tower bells humming Bells shown with small shake lines and nobody near the ropes.
    • an audience of crows that stayed to the end A fence rail of birds, heads tilted the same way.
    • music that set the washing lines swaying in time Shirts on three lines all leaning the same way.
    • the night their shadow kept better time than they did A shadow on the back wall with its foot tapping a beat ahead.
    • playing so quietly the whole square leaned in Every figure in the scene bent forward at the same angle.

    Small kindnesses 12

    • a birthday song for a stranger who had told no one A startled face in a corner seat and a candle in a bread roll.
    • a goodnight sung to a whole street from one doorstep Shutters closing one by one down the row.
    • a march that got tired walkers over the last hill Seen from behind: a column of packs and one figure playing at the head.
    • a song for a couple married sixty years Two chairs pushed together and the dance done sitting down.
    • a tune taught to a sailor who took it overseas A ship leaving and a whistle carrying back across the water.
    • a verse made on the spot for a shy apprentice Ears going pink at the back of the room.
    • making a long queue enjoy being a queue A line of people swaying in step, nobody checking the front.
    • the one request they ever got exactly right An old listener with eyes shut and a hand over the heart.
    • playing all night under the window of someone unwell A lit window above and a figure on an upturned crate below.
    • singing a lost child back to the right door A small figure following a tune down a street of identical houses.
    • the tune that calmed a horse on a narrow bridge One hand on the bridle, the other still fingering the pipe.
    • turning an argument at a toll gate into a round Three red faces singing in turn while the gate swings open.

    What it left behind 12

    • a ballad that other bards refuse to follow A stage standing empty while performers argue over who goes next.
    • a chorus that became a town's way of saying hello Two people passing in a street, each singing half a line.
    • a contest of verses that both sides still claim Two trophies on two mantelpieces in two towns.
    • a dance step invented by accident and never fixed A whole floor of dancers all stumbling on the same beat.
    • a line that judges now quote without knowing why A wigged figure mid-sentence, one finger raised.
    • a rhyme the children still skip rope to A rope at the top of its arc and feet off the ground.
    • a song that the next valley swears is theirs Two villages on two hills, arms folded at each other.
    • a tune now whistled by people who never heard them A baker, a carter and a clerk, each mid-whistle, each alone.
    • an insult so neat its target had it framed The frame hangs over a desk. The target points to it proudly.
    • the only show that ever sold out a barn Legs dangling from the hayloft, faces at every knothole.
    • the performance a painter put on a signboard An inn sign with the bard on it, slightly thinner than in life.
    • three verses that got a pie named after them A chalkboard menu with the title at the top.

    How this list was compiled: Original list written for Draw This Next, September 2026. Each entry is one evening that can be drawn as a single scene, with the crowd in it. The notes on what to draw are our own suggestions. Licence: own work

    Keeps: all 60 keepsakes

    Bits of instruments 12

    • a bow hair pressed in a book as a marker One long pale line across a page of verse.
    • a broken string from every instrument they have owned Coiled together in a tin, each tagged with a year.
    • a drumstick with somebody else's initials Tucked in a boot top, never used.
    Show all 60 keepsakes (57 more)

    Bits of instruments, continued

    • a fiddle bridge carved from a kitchen chair Paler than the rest of the instrument and a little too thick.
    • a mouthpiece worn to the shape of their teeth Nobody else could play it. Draw it close up, with the dents.
    • a pick cut from a coin The date still shows on one edge.
    • a spare string wound round the wrist Looks like a bracelet until a string snaps mid-song.
    • a tuning fork that hums near water Held out over a well with a doubtful look.
    • a tuning peg from a teacher's fiddle Worn on a cord. They turn it between finger and thumb before a show.
    • the bell from a jester's cap, origin unknown Sewn inside a cuff where it rings only when they bow.
    • the first reed they ever split Kept in a matchbox, shown to pupils as a warning.
    • rosin in a walnut shell Opened with a thumbnail. Amber dust on the fingers.

    Paper 12

    • a contract with a clause about weather One paragraph underlined three times.
    • a handbill from the show that made them start Soft as cloth, the print almost gone.
    • a ledger of what each song has earned The saddest song has the longest column.
    • a letter of introduction to a hall that burned down The seal unbroken. The address is a field now.
    • a list of towns, each with one word beside it Good. Damp. Goats. Never again.
    • a map with the good audiences circled Circles cluster along one river and nowhere else.
    • a playbill with their name spelled wrong Pinned inside the instrument case lid.
    • a rhyming dictionary with one page worn through You can read the next page through the hole.
    • a songbook with other people's notes in the margins Five handwritings on one page, arguing.
    • every bad review, folded small A thick wallet that holds no money at all.
    • the first verse they ever wrote, shown to no one Folded to the size of a stamp.
    • the last page of a play nobody finished The speech stops mid-line and the ink trails off.

    Given by listeners 12

    • a button from a patron's coat It matches nothing else they own.
    • a child's drawing of them with too many arms Proudly glued inside the case, corners curling.
    • a flower pressed flat by the weight of the songbook A brown outline on the page facing it.
    • a handkerchief somebody wept into and gave back Washed, pressed, and kept in the breast pocket.
    • a medal for a contest they came second in Polished more than a first prize would be.
    • a pebble from outside every hall they filled A pouch that is, honestly, not very heavy.
    • a ribbon thrown from a balcony Tied to the neck of the instrument, faded on one side.
    • a scarf knitted by an audience of one Far too long. It goes round three times.
    • a thimble a seamstress swore was lucky Worn on the little finger for the hard passages.
    • a whistle a listener carved during a slow song It plays only two notes. They use both.
    • a wooden spoon from a kitchen that fed them all winter Hung on the case by a loop of string.
    • the first hat they ever passed round, now too small Hung from the case by its band, like a bell.

    From the stage 12

    • a cloak lined with pockets for props Open it for the viewer: scarves, a horn, a rubber fish.
    • a curtain ring from a stage that is gone Brass, heavy, worn on the thumb.
    • a false nose they have never needed Still in its box, with the price on.
    • a folding stool with a squeak in the note of D They tune to it.
    • a hat with a hole from a thrown turnip The hole has been hemmed, not mended.
    • a mask worn only for the last song It hangs at the belt all evening, facing backward.
    • a painted backdrop of somewhere they have never been Rolled on a pole across the shoulders like a carpet.
    • a pair of shoes that only fit on stage Carried by the laces. They change in the wings.
    • a prompt card for a line they always forget Pinned inside the hat, read while bowing.
    • a puppet with one eye It rides in a coat pocket with its head out.
    • a stick of greasepaint worn to a stub A smear of it is always on one cuff.
    • a string of bells for one ankle They walk carefully in libraries.

    Harder to pack 12

    • a callus they are privately proud of Thumb held up to the light and inspected.
    • a debt to a song they have not written yet Blank staves ruled ready on the last page of the book.
    • a feather from a bird that sang back Stuck in the hatband at a confident angle.
    • a jar of applause, or so they tell children An empty jar with a tight lid, held to a small ear.
    • a knot they tie whenever a show goes well A cord at the belt with more knots near the old end.
    • a laugh borrowed from someone they miss Head back, eyes shut. The laugh is too big for their frame.
    • a nickname from a town that meant it kindly Painted on the case in someone else's lettering.
    • a seashell that hums one town's chorus Probably only the sea. They hold it to an ear anyway.
    • a silence they are saving for the right room A finger half raised, then lowered: not tonight.
    • a stone that sounds a note when struck Kept in a sock so it does not ring in the pack.
    • a tune they refuse to play until it is finished Fingers that start it on any tabletop and stop at the same bar.
    • the hush of one particular cellar, visited yearly Standing at the top of the steps with a hand raised for quiet.

    How this list was compiled: Original list written for Draw This Next, September 2026. Each keepsake is a small object from a performing life, something to put in a hand, a pocket or an instrument case. The notes on where it shows in a drawing are our own suggestions. Licence: own work

    How it works

    This bard backstory generator deals a performer's past in six parts: who trained them, what they perform, why they left, a rival or patron, the night people still talk about and one keepsake. Text only.

    Read the full guide

    What a bard is here

    A bard, both poet and singer, performed verse for a patron. On this page the word covers anyone who earns supper with an act, from a hurdy-gurdy player to a teller of ghost stories. The second part names the act, so draw the hands doing it.

    One night to stage

    The fifth part is a single evening, such as an encore that lasted until breakfast. It is the scene to draw: a room, a crowd and the bard in the middle of it. Put the keepsake, the sixth part, in the foreground of that scene.

    • Put the keepsake where a viewer finds it second: in a hatband, on the instrument case, at the belt.
    • A patron sits and a rival stands. Seat or stand the fourth part before drawing either face.
    • Draw the audience first. A performer's pose is an answer to the room.

    Questions and answers

    What goes into a bard's backstory?

    A teacher, an act, a reason to leave and somebody to play for or against. This page adds one remembered night and one object, because those are the two things a drawing can show at a glance.

    Can I use it as a goblin bard backstory generator?

    Yes. No list says what people the bard belongs to, so a goblin, a human or a talking badger reads the same. Decide that yourself, then press New backstory and keep the parts that suit.

    Is it tied to a tabletop game?

    No. Bard is used as the old word for a singing poet. The lists name no game, rule book, setting or spell, and the instruments are real ones, checked against their encyclopedia articles.