Bard Backstory Generator: Craft, Road and One Famous Night
Press New backstory for a bard's training, craft, rival, best night and the keepsake they carry.
Bard Backstory Generator: Craft, Road and One Famous Night: 30 backstories
Learned the craft from a mother who rhymed the shopping list. Performs riddles that take a week to answer. Took to the road to find a singer for a tune written for two. Rival or patron: an act that is always booked for the bigger room. Still remembered for a song that the next valley swears is theirs. Keeps a handbill from the show that made them start.
Padlock: keep a part.Arrows: change only that part.
Learned the craftfrom a mother who rhymed the shopping list
Performsriddles that take a week to answer
Took to the roadto find a singer for a tune written for two
Rival or patronan act that is always booked for the bigger room
Remembered fora song that the next valley swears is theirs
Keepsa handbill from the show that made them start
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Learned the craft from a mother who rhymed the shopping list. Performs riddles that take a week to answer. Took to the road to find a singer for a tune written for two. Rival or patron: an act that is always booked for the bigger room. Still remembered for a song that the next valley swears is theirs. Keeps a handbill from the show that made them start.
Learned the craft from a mother who rhymed the shopping list. Performs pieces for a harp small enough to carry. Took to the road with a rival's best tune stuck in their head. Rival or patron: a dog that howls on the high notes. Still remembered for a line that judges now quote without knowing why. Keeps a whistle a listener carved during a slow song.
Learned the craft copying songbooks for a collector who never sang. Performs duets with whoever happens to be there. Took to the road because the landlord stopped taking songs as rent. Rival or patron: a notebook of verses too true to perform. Still remembered for out-singing a storm. Keeps a pebble from outside every hall they filled.
Learned the craft from an uncle who told one story for forty years. Performs news in rhyme, a day behind the news. Took to the road to return an instrument to someone's grandchild. Rival or patron: a piper who plays over them from the next field. Still remembered for a high note that cracked a window and ended a quarrel. Keeps the first reed they ever split.
Learned the craft during a winter indoors with one book of poems. Performs slow airs on a guitar with a patched top. Took to the road because a teacher's knees gave out and the route did not. Rival or patron: a songbird that upstages every outdoor show. Still remembered for a ballad that other bards refuse to follow. Keeps the first hat they ever passed round, now too small.
Learned the craft pumping the bellows for an organist. Performs riddles that take a week to answer. Took to the road after one request too many to stop humming. Rival or patron: a wagon wheel that squeaks in the wrong key. Still remembered for the night the whole inn went silent. Keeps the hush of one particular cellar, visited yearly.
Learned the craft from rain on different roofs. Performs lute songs about other people's troubles. Took to the road when a storm closed the road home and opened another. Rival or patron: a printer who sells their words without asking. Still remembered for a verse made on the spot for a shy apprentice. Keeps a cloak lined with pockets for props.
Learned the craft from a grandfather who drummed on every table. Performs fiddle reels at a speed that worries the fiddle. Took to the road because the coach left with their instrument on it. Rival or patron: the one town that did not laugh. Still remembered for forgetting the words and inventing better ones. Keeps a drumstick with somebody else's initials.
Learned the craft from a bell-maker who judged notes with a fingertip. Performs weather forecasts, sung, and usually wrong. Took to the road because a teacher's knees gave out and the route did not. Rival or patron: an instrument that goes out of tune when praised. Still remembered for a lullaby that sent a rowdy crowd home to bed. Keeps a spare string wound round the wrist.
Learned the craft from an old instrument that already knew the tunes. Performs lute songs about other people's troubles. Took to the road to outrun a nickname. Rival or patron: a retired general who only wants marches. Still remembered for playing through a thunderstorm without noticing. Keeps a thimble a seamstress swore was lucky.
Learned the craft by mishearing every song and keeping the mistakes. Performs shawm fanfares loud enough for a field. Took to the road because the coach left with their instrument on it. Rival or patron: a drum skin that hates the damp. Still remembered for an insult so neat its target had it framed. Keeps a prompt card for a line they always forget.
Learned the craft from a father who whistled while he mended nets. Performs puppet shows with two puppets and nine voices. Took to the road to learn a song from every town with a bridge. Rival or patron: their own first song, which everyone still prefers. Still remembered for a duet with a donkey that was not planned. Keeps a debt to a song they have not written yet.
Learned the craft from a ghost story they were too scared to stop telling. Performs the spoons, with total seriousness. Took to the road because the only other musician was better. Rival or patron: the shadow of a parent who was better known. Still remembered for a tune now whistled by people who never heard them. Keeps a rhyming dictionary with one page worn through.
Learned the craft from a father who whistled while he mended nets. Performs news in rhyme, a day behind the news. Took to the road because a child asked what was past the hill. Rival or patron: a rival act booked for the same night and stage. Still remembered for music that set the washing lines swaying in time. Keeps a pebble from outside every hall they filled.
Learned the craft from a troupe of players that left without them. Performs insult verse to order. Took to the road to trade stories for stories until they have them all. Rival or patron: a baby with perfect comic timing. Still remembered for a verse made on the spot for a shy apprentice. Keeps the bell from a jester's cap, origin unknown.
Learned the craft from a music box with one tune and a slipping gear. Performs one long tune that changes with each town. Took to the road chasing word of a hall with a perfect sound. Rival or patron: a songbird that upstages every outdoor show. Still remembered for a song that every dog in town joined. Keeps a stick of greasepaint worn to a stub.
Learned the craft from rain on different roofs. Performs duets with their own echo. Took to the road after a ballad named one name too many. Rival or patron: a memory that drops the third verse. Still remembered for a song for a couple married sixty years. Keeps a rhyming dictionary with one page worn through.
Learned the craft in a town choir, until the solo went elsewhere. Performs bird calls, eleven species so far. Took to the road after outgrowing every stage at home. Rival or patron: a widow who asks for the same dance each spring. Still remembered for a ballad that got a bridge repaired. Keeps a map with the good audiences circled.
Learned the craft from a music box with one tune and a slipping gear. Performs tunes on a comb and paper. Took to the road after a verse about the mayor went too well. Rival or patron: a wagon wheel that squeaks in the wrong key. Still remembered for a line that judges now quote without knowing why. Keeps a bow hair pressed in a book as a marker.
Learned the craft as the back legs of a pantomime horse. Performs duets with their own echo. Took to the road after being hired by mistake for a distant wedding. Rival or patron: a songbird that upstages every outdoor show. Still remembered for a ballad that got a bridge repaired. Keeps a handbill from the show that made them start.
Learned the craft from a troupe of players that left without them. Performs ghost stories with a candle under the chin. Took to the road because every town deserves one loud evening a year. Rival or patron: a piper who plays over them from the next field. Still remembered for forgetting the words and inventing better ones. Keeps a list of towns, each with one word beside it.
Learned the craft after a dream they have been writing down since. Performs stories that stop one line before the end. Took to the road chasing word of a hall with a perfect sound. Rival or patron: a stage name more famous than they are. Still remembered for a farewell song that made a whole dock miss the tide. Keeps a list of towns, each with one word beside it.
Learned the craft from shepherds calling across a valley. Performs insult verse to order. Took to the road when a storm closed the road home and opened another. Rival or patron: a voice that leaves for a week each winter. Still remembered for a show given from a rooftop during a flood. Keeps a pebble from outside every hall they filled.
Learned the craft by repeating everything a town crier said. Performs silences, timed and bowed for. Took to the road so a sister could keep the shop. Rival or patron: bad weather that follows the tour like a fan. Still remembered for an insult so neat its target had it framed. Keeps a broken string from every instrument they have owned.
Learned the craft during a winter indoors with one book of poems. Performs the spoons, with total seriousness. Took to the road to sing a friend's songs where the friend cannot go. Rival or patron: a notebook of verses too true to perform. Still remembered for singing a lost child back to the right door. Keeps a letter of introduction to a hall that burned down.
Learned the craft out of boredom on a long sheep watch. Performs wedding marches, always a little too fast. Took to the road with a rival's best tune stuck in their head. Rival or patron: a stage name more famous than they are. Still remembered for the song that ended a ten-year silence between brothers. Keeps a handkerchief somebody wept into and gave back.
Learned the craft from a dancing master who needed a drummer. Performs puppet shows with two puppets and nine voices. Took to the road when a patron wanted the same song forever. Rival or patron: a songbird that upstages every outdoor show. Still remembered for the tune that calmed a horse on a narrow bridge. Keeps a mouthpiece worn to the shape of their teeth.
Learned the craft in a household where supper was sung for. Performs old dances on a borrowed accordion. Took to the road to carry news between two villages that do not speak. Rival or patron: a promise never to play the old way again. Still remembered for the night their shadow kept better time than they did. Keeps a prompt card for a line they always forget.
Learned the craft by standing on a box at the family's market stall. Performs bedtime stories for rooms full of grown-ups. Took to the road to carry news between two villages that do not speak. Rival or patron: a mimic who performs their act more neatly. Still remembered for an audience of crows that stayed to the end. Keeps a false nose they have never needed.
Learned the craft at a music school they could not afford to finish. Performs a single very long joke. Took to the road because a map on the wall had always bothered them. Rival or patron: a countess who pays in advice. Still remembered for the evening the stage gave way one plank at a time. Keeps a jar of applause, or so they tell children.
by losing every bedtime argument in rhymeArms folded, chin up: the pose of someone about to rhyme their way out.
by standing on a box at the family's market stallA voice trained to carry over haggling. Show the box, kept and battered.
by turning pages for an older sister at the keysOne hand hovers near any open book, ready.
Show all 60 trainings (57 more)
In the family, continued
from a cousin who taught only the funny versesGrinning before the punchline. They have never learned to hide it.
from a father who whistled while he mended netsFingers that still knot the air when a tune gets tricky.
from a grandfather who drummed on every tableFingertips flattened from knocking wood.
from a grandmother who sang at every wedding in townSame wide stance, same hand on the chest. Draw them side by side forty years apart.
from a mother who rhymed the shopping listA scrap of paper in the hatband: eggs, legs, pegs.
from a stepmother who had been on the stage onceA bow far too grand for the room, learned in a kitchen.
from an aunt who tuned bells for a livingA head tilted to one side, listening for the overtone.
from an uncle who told one story for forty yearsThey can tell it in his voice, down to the cough before the ending.
in a household where supper was sung forA fork held like a tuning fork. They hum before they eat.
Schooled and apprenticed 12
as a prompter hidden under a stageLips move along with anyone else's speech.
as apprentice to a puppet troupeOne hand always slightly raised, as if a puppet were still on it.
as the back legs of a pantomime horseBends at the waist a little too easily. Never minds not being seen.
at a music school they could not afford to finishHalf a certificate. The torn edge is kept in the instrument case.
at a school for heralds, where volume countedA chest that fills like a sail before the first word.
behind the big drum in a parade bandThey still step off on the left foot when music starts.
carrying instruments for better playersStrong shoulders and a habit of setting things down gently.
copying songbooks for a collector who never sangInk on the fingers and a neat hand even in a hurry.
from a dancing master who needed a drummerWatches feet, not faces, to find the beat of a room.
in a town choir, until the solo went elsewhereStanding one step forward of a row that is no longer there.
pumping the bellows for an organistForearms like a baker and a sense of rhythm from the lever.
under a master who allowed one note a weekEnormous patience, and a first note that is perfect.
Self-taught 12
alone, from a songbook with half its pages goneEvery tune they know has a gap they filled in themselves.
by ear, outside the window of a music lessonA crouch under a sill, chin on the knees, eyes shut.
by echo, shouting verses into a quarryA pause after every line, waiting for the reply.
by mishearing every song and keeping the mistakesA crowd singing one word while they cheerfully sing another.
by playing a fence with a stick until it sangA stick tucked in the belt beside the real instrument.
by repeating everything a town crier saidClear, slow and slightly too loud for indoors.
during a winter indoors with one book of poemsThe book is in a coat pocket, soft as cloth.
from birds, and it shows in the high notesHead thrown back, throat long, like a wren on a post.
from the rhythm of a mill wheelEverything they play turns over at the same steady pace.
on an instrument found in a flooded cellarThe wood is warped. So is their idea of how it should sound.
out of boredom on a long sheep watchA crook in one hand, a whistle in the other, sheep unimpressed.
to win an argument with a sibling, then kept goingA pointing finger mid-verse, aimed at nobody now.
On the road 12
at a horse fair, trading verses for mealsA bowl in one hand and an audience of dealers leaning on a rail.
from a fiddler who knew a song for every roadTwo figures walking, one bow sawing the air to mark the miles.
from a one-person band who needed a restCymbals between the knees are harder than they look. Draw the bruise.
from a rival who taught them by mocking themOne raised eyebrow, borrowed and never given back.
from a storyteller who paid them to carry her drumThe drum strap has worn a pale line across one shoulder.
from a troupe of players that left without themA handful of costumes that do not match and a part in every play.
from a walker who sang to stay awakeA steady stride and a tune that fits it exactly.
from sailors, one verse for every portVerses tied on a cord like knots, counted off with a thumb.
from shepherds calling across a valleyHands cupped to the mouth and a note thrown like a stone.
in the line for a river crossing that took a monthA crowd on a bank with nothing to do but listen.
on a barge whose pilot hated silenceSitting on the cabin roof, feet swinging, the bank sliding by.
round the cooking fires of a wintering circusFirelight from below and a strongman keeping time on a pot.
Stranger teachers 12
after a dream they have been writing down sinceA notebook by the bed and a pencil on a string.
by accident, covering for an actor with hiccupsPushed on from the wings, one arm still reaching back.
by answering an owl, and being answeredA dark branch, two round eyes and a very small listener below.
from a bell-maker who judged notes with a fingertipOne finger laid against the instrument, feeling for the hum.
from a ghost story they were too scared to stop tellingWide eyes, quick words, a blanket worn as a cape.
from a kettle that whistled a better tune each morningA kettle on a hob and a figure leaning in with a hand behind one ear.
from a music box with one tune and a slipping gearThey still play that tune with the same small stumble.
from a songbird that only knew one tuneA cage with its door open and a bird that stayed anyway.
from a songbook in a language they cannot readSung by shape and guesswork, with great feeling.
from an old instrument that already knew the tunesHolding it at arm's length with respect and a little suspicion.
from rain on different roofsSitting under an eave with a row of pots set out to catch notes.
from the town clock, which taught them to count barsThey glance up at any tower before starting.
How this list was compiled: Original list written for Draw This Next, September 2026. Each entry is one teacher or one accident, so a second figure or a place can stand in the drawing beside the bard. The page's use of the word (a bard made up verse and sang or recited it for a patron) was checked on 2026-09-30 against https://en.wikipedia.org/wiki/Bard. The notes on what to draw are our own suggestions. Licence: own work
Performs: all 60 crafts
Strings and keys 12
drone songs over one held noteOn a hurdy-gurdy the drone strings hold that note. Show a still left hand.
duets with whoever happens to be thereTwo players, one confident, one handed an instrument a moment ago.
fiddle reels at a speed that worries the fiddleBlur the bow arm and keep the face perfectly calm.
Show all 60 crafts (57 more)
Strings and keys, continued
hurdy-gurdy tunes for dancingOne hand cranks a wheel that rubs the strings. Draw that elbow mid-turn.
lullabies on anything with stringsPlaying a washing line. A baby in the scene is already asleep.
lute songs about other people's troublesA lute has a deep round back. It sits against the ribs like a held melon.
old dances on a borrowed accordionStraps let out to the last hole. It belongs to someone larger.
one long tune that changes with each townA notebook of the same melody written twenty slightly different ways.
pieces for a harp small enough to carryThe harp rests on one knee. Fingers on both sides of the strings.
requests, unless it is the sad oneA hand raised in the crowd and the bard already shaking their head.
slow airs on a guitar with a patched topShow the patch: a square of paler wood near the sound hole.
wedding marches, always a little too fastA couple hurrying down an aisle to keep up.
Wind and drums 12
a drum roll that takes a full minute to arriveThe crowd leaning forward by degrees.
a horn call that carries a mileSeen from a mile off: a tiny figure and birds lifting from the trees.
bagpipe tunes, outdoors, by popular demandThe audience stands well back. Draw the gap.
bird calls, eleven species so farHands cupped at the mouth and a tree full of confused birds.
duets on two pipes, one in each corner of the mouthEyes crossed slightly with the effort.
flute pieces copied from birdsA bird on the end of the flute, checking the work.
frame drum rhythms for walking toA frame drum is wide and shallow. One hand holds it, the other plays.
marching beats on a drum bigger than they areOnly the hat and the sticks show above the rim.
rhythms on whatever the kitchen hasPots hung by size from a pole across the shoulders.
shawm fanfares loud enough for a fieldA shawm is a double-reed pipe. Cheeks out, bell of the pipe raised high.
the spoons, with total seriousnessFormal posture, formal bow, two soup spoons.
tin whistle jigsElbows in, fingers flying, one foot off the ground.
Voice and verse 12
a single very long jokeThe audience at minute nine: half asleep, half on the edge of the bench.
epics, one chapter an eveningThe same listeners in the same seats, a night older each panel.
insult verse to orderA contest of insults in verse is a flyting. One finger points, one hand takes the fee.
laments for small losses: a hat, a buttonDeep mourning pose, tiny object held up to the light.
news in rhyme, a day behind the newsStanding on a barrel with yesterday's paper folded under one arm.
praise songs for whoever is payingThe patron sits up straighter with each verse.
riddles that take a week to answerA crowd frowning at the sky while the bard packs up.
rounds that the whole room has to finishConducting three tables at once with both arms and a nod.
tongue-twisters at rising speedSweat on the brow and a metronome hand in the front row.
unaccompanied balladsA ballad is a story in verse. Draw empty hands and a mouth wide open.
verses made up from the crowd's shoutsThree hands in the air and a bard pointing at the strangest one.
work songs for jobs they have never doneHauling an invisible rope with great conviction.
Stories and shows 12
a play they wrote at twelve and never fixedWooden sword, paper crown, lines delivered with adult gravity.
bedtime stories for rooms full of grown-upsTired carters in nightcaps, chins on fists.
fables in which the fox is clearly the mayorThe mayor in the front row, not laughing.
ghost stories with a candle under the chinUnderlit face, long nose shadow, children delighted.
histories of whichever town they are in, mostly truePointing at a real building with total authority.
impressions of the last town for the next oneShoulders hunched as a well-known baker two valleys back.
mime, to the relief of the back rowsTrapped in an invisible box, glancing out to check it is working.
one-person plays, changing hats for each partA stack of hats on the floor and one in mid-air.
puppet shows with two puppets and nine voicesHead down inside the booth, mouth doing all the work.
recitations with far too many gesturesSix arms' worth of motion lines on a two-armed figure.
shadow plays behind a bedsheetLight from behind, hands making a wolf, feet visible under the sheet.
stories that stop one line before the endWalking off as a whole crowd rises to its feet in protest.
Stranger acts 12
a song for each customer's nameLeaning down to ask a child how it is spelled.
changes rung on a rack of mismatched bellsA cowbell, a doorbell and a ship's bell on one frame.
duets with their own echoFacing a cliff, one hand raised for the echo's turn.
lists set to music: cargo, laws, a menuSinging from a chalkboard with real feeling.
music from water glasses filled to different heightsWet fingertips on a row of rims, tongue between the teeth.
the same song in a different mood each nightA calendar of faces: cheerful Monday, furious Tuesday.
saw music with a bow and a bent bladeThe saw gripped between the knees, the blade curved like an S.
silences, timed and bowed forA deep bow to a room in which nothing has happened.
songs sung backward on requestReading from a sheet held up to a mirror.
tunes on a comb and paperThe smallest instrument in the family, played with a soloist's pride.
weather forecasts, sung, and usually wrongSinging of sunshine with rain running off the hat.
whistled tunes in two notes at onceLips to one side. A dog in the scene has both ears up.
after a review in verse from their own motherA letter with the corners pinned, read on a milestone.
after one request too many to stop hummingA whole household with fingers in their ears at breakfast.
after outgrowing every stage at homeA barn door with a chalked height mark far below their head.
Show all 60 reasons (57 more)
Leaving home, continued
because a map on the wall had always bothered themA finger tracing a road off the edge of the paper.
because standing still made the tunes go flatPlaying while walking backward out of a doorway.
because the only other musician was betterTwo instrument cases at a crossroads. One is walking away.
the morning the family instrument became theirsA case too big for the back that carries it.
to find the second verse of a song they half knowHumming the first verse at every stranger, hopefully.
to learn a song from every town with a bridgeA notched stick, one notch for each bridge crossed.
to see whether the songs were trueStanding in front of an ordinary hill that a ballad made enormous.
when the choir master suggested somewhere far awayA gently pointing arm and a very long road.
when the town had heard all their songs twiceA square of polite faces mouthing along a beat early.
Debts and trouble 12
after a ballad named one name too manyA crossed-out line in the songbook, pressed hard.
after a prank with the town bell and a goatThe goat is in the belfry. Nobody is sure how.
after a verse about the mayor went too wellA crowd still singing it as they leave by the back lane.
after winning a contest they were only meant to judgeHolding the trophy like something hot.
because a contest of verses ended in a drawTwo bards walking off in opposite directions, each looking back.
because a rhyme was mistaken for a promiseAn eager family on a doorstep holding a ring cushion.
because the landlord stopped taking songs as rentA ledger with tunes listed in the payments column.
one step ahead of an unpaid instrument makerA bill tucked in the strings, unpaid and unread.
to outrun a nicknameHat low, collar up, and a child three towns on already shouting it.
to return an instrument to someone's grandchildTwo cases on one back. Only one is ever opened.
when a patron wanted the same song foreverA music stand with one sheet nailed to it.
with a rival's best tune stuck in their headFingers playing it on a table against their will.
Chasing something 12
after a troupe whose wagon tracks they still followKneeling at a fork in the road, reading ruts.
chasing word of a hall with a perfect soundRunning up a valley with the instrument bouncing on their back.
following a tune heard once through a wallAn ear pressed to plaster and a pencil moving fast.
for one festival, years ago, and never turned backA faded festival ribbon still tied to the case.
in search of a crowd that does not clap politelyArms spread to a room that is stamping its feet.
looking for whoever taught them the first songA drawing of a face from memory, shown at every inn.
to collect the ends of old songs before they goSitting beside the oldest person in each town with a notebook.
to find out who writes the songs nobody claimsA songbook with the name line left blank on every page.
to hear how the sea sounds, and then kept walkingBoots off at the tide line, instrument held clear of the spray.
to learn what people sing where nobody knows homeA crowd teaching them a chorus with big, slow gestures.
to play in the one hall their teacher never reachedA door seen from far down a street, lit from inside.
to trade stories for stories until they have them allA sack marked with other people's place names.
By accident 12
after a wrong turn at a crossroads with good acousticsSinging at a signpost with four blank arms.
after being hired by mistake for a distant weddingReading the invitation again in the back of a cart, puzzled.
as a stand-in for one night that became a seasonA costume cut for somebody taller, hemmed with pins.
as the only passenger on a boat with no rudderPlaying in the bow as the bank slides past at the river's choosing.
because the applause came from the next valleyA hand shading the eyes toward a ridge.
because the coach left with their instrument on itRunning after a coach with one arm out and a bow in the other hand.
by falling asleep in a players' wagonWaking under a pile of costumes with a town they do not know outside.
by following a parade past the edge of townThe last houses behind and a drum still going ahead.
on a dare that nobody remembered to call offA scrap of paper with three signatures and a date long gone.
when a storm closed the road home and opened anotherA fallen tree one way and a rainbow the other.
when the river took the bridge and the crowd was across itWading with the instrument held overhead.
when the stage they stood on turned out to be a cartStill mid-bow as the cart pulls away.
For someone else 12
because a child asked what was past the hillLooking back from the hilltop at a very small waving figure.
because a teacher's knees gave out and the route did notWalking an old circuit with someone else's stick.
because every town deserves one loud evening a yearArriving at dusk with every shutter on the street opening.
so a sister could keep the shopA shop sign glimpsed over the shoulder, getting smaller.
so that somebody would remember a town under a lakeSinging at a shoreline to nothing but water.
to bring one song home to a grandmotherA tune wrapped in a handkerchief, so to speak. Draw the careful hands.
to carry news between two villages that do not speakStanding on a boundary stone, facing one way and then the other.
to find a singer for a tune written for twoHalf a duet, played with the pauses left in.
to finish the circuit of a troupe that is now only themSetting out five stools before a show and sitting on one.
to pay for a brother's schooling out of a hatCoins counted into two piles, the larger pushed aside.
to play at every wedding of a very large familyA list of cousins as long as an arm, half ticked.
to sing a friend's songs where the friend cannot goTwo names on the songbook, theirs written second.
How this list was compiled: Original list written for Draw This Next, September 2026. Each reason is a small one: a debt, a dare, a tune half heard. None is a tragedy, so any of them can sit beside any training or keepsake on the page. The notes on what to draw are our own suggestions. Licence: own work
Rival or patron: all 60 patrons and rivals
Patrons 12
a baker who names loaves after their songsA shop window of bread with name cards: the Lament, the Reel.
a child with one coin and firm tastesArms folded in the front row, coin held up between two fingers.
a clockmaker who sets their tunes into music boxesA workbench of tiny combs and cylinders, one playing.
Show all 60 patrons and rivals (57 more)
Patrons, continued
a countess who pays in adviceShe leans from a carriage window mid-sentence. The purse stays shut.
a judge who hums along in courtA gavel paused in the air and a clerk hiding a smile.
a merchant who buys every song and plays noneA locked cabinet of sheet music with a glass front.
a retired general who only wants marchesBoots tapping under a blanket, medals pinned to a dressing gown.
a ship's captain who wants a song for every portA chart with notes of music written beside the anchorages.
a society of twelve who agree on nothing but themA long table of people glaring at each other and clapping.
a town that keeps a room for them and never says whyA bed made up, a window open, a card on the pillow.
a widow who asks for the same dance each springShe dances it alone with one arm held out.
an innkeeper who pays in soup and opinionsA bowl pushed across a counter with one finger raised.
Rivals 12
a child prodigy, eight years old and mercilessStanding on a chair to reach the same height, grinning.
a critic who follows the tour by coachA notebook, a pencil licked to a point, a seat by the aisle.
a former partner who kept the good songsHalf a duo. The poster has been cut down the middle.
a mimic who performs their act more neatlyTheir own gestures, done back at them with the corners tidied.
a piper who plays over them from the next fieldTwo crowds back to back and a low hedge between.
a poet who answers every verse with a better oneA folded paper arriving by messenger before the applause ends.
a printer who sells their words without askingA stall of song sheets with no name at the bottom.
a singer two towns ahead who uses their nameArriving to find their own poster already up, already old.
a songbird that upstages every outdoor showOn the highest branch, mid-solo, with the audience looking up.
a twin with the better voiceSame face, same hat, a slightly bigger crowd.
an act that is always booked for the bigger roomTwo doors: one with a line outside, one with theirs.
an old teacher who still corrects them from the crowdOne raised finger in the third row.
The crowd 12
a baby with perfect comic timingOne shriek, placed exactly on the punchline.
a back row that only came in from the rainDripping coats, steam rising, attention slowly caught.
a crowd that will not go homeDawn at the windows and somebody calling for one more.
a dog that howls on the high notesNose up, eyes shut, more committed than the bard.
a front row that knows the words and says them earlyMouths open half a beat ahead of the singer's.
a heckler who turns up in every townSame hat, same seat, same folded arms, different wallpaper.
a listener who weeps at the cheerful onesA handkerchief out during a jig.
a regular who requests songs that do not existThe bard inventing one on the spot, eyes on the ceiling.
a town that only claps for the encoreSilent faces, then one enormous roar at the end.
a village that asks for the song they refuse to singA banner with the title on it. They pretend not to read it.
an audience of one who sits through every showA single figure in an empty hall, coat on, smiling.
children who demand the puppet and nothing elseSmall fists drumming the edge of the stage.
Troubles of the trade 12
a drum skin that hates the dampHolding the drum to a fire and tapping it hopefully.
a guild that fines rhymes made without a permitAn inspector with a clipboard at the edge of the crowd.
a memory that drops the third verseA hand frozen in the air where the third verse should start.
a publisher who wants everything shorterA page of verse with all but two lines struck out.
a rival act booked for the same night and stageTwo acts setting up from opposite wings, not looking.
a stage manager who dims the lights earlyThe bard finishing a song in the dark, still bowing.
a troupe leader who pays in next month's promisesA purse opened to show a folded note.
a voice that leaves for a week each winterA scarf to the eyes and a slate hung round the neck for talking.
a wagon wheel that squeaks in the wrong keyTuning the instrument to the wheel, defeated.
an agent who has never once found the right townA signpost, a map and an apologetic shrug.
an instrument that goes out of tune when praisedA compliment in the air and a string visibly slackening.
bad weather that follows the tour like a fanOne small cloud above the wagon on an otherwise clear day.
Their own past 12
a mentor whose style they cannot shakeA second pair of hands drawn faintly over their own.
a notebook of verses too true to performHeld shut with string. The string has been retied many times.
a perfect performance nobody sawAn empty barn, a held last pose, dust in a shaft of light.
a promise never to play the old way againLeft hand tied behind the back with a ribbon.
a reputation for a song they did not writeTaking the bow anyway, eyes sliding sideways.
a stage name more famous than they areStanding unnoticed under a banner with the name on it.
a tune in their head that will not finishSix bars written out and a seventh rubbed thin.
the memory of a better singer in every hallLooking up at the rafters before starting.
the one town that did not laughA pin stuck in a map, hard.
the shadow of a parent who was better knownA poster in the background with the same surname in bigger type.
their own first song, which everyone still prefersPlaying it for the thousandth time with a professional smile.
tomorrow night's audience, already expecting moreA handbill promising something they have not invented yet.
How this list was compiled: Original list written for Draw This Next, September 2026. A performer is shaped by who pays and who competes, so each entry is one such figure, or a crowd, or the bard's own past. Nobody here is cruel. The notes on what to draw are our own suggestions. Licence: own work
Remembered for: all 60 performances
The night it went wrong 12
a duet with a donkey that was not plannedThe donkey's head through the window, perfectly on the beat.
a high note that cracked a window and ended a quarrelTwo people at a table looking at the same pane.
a solo to an empty room that was full by the endThree panels: one chair filled, then ten, then no floor to be seen.
Show all 60 performances (57 more)
The night it went wrong, continued
a song that got the landlord to forgive the billA slate wiped clean with a sleeve and a sniff.
an encore that lasted until breakfastThe cook arriving for work through a room of sleeping listeners.
the evening the stage gave way one plank at a timeStanding on the last board, still playing.
falling off the stage in time with the musicMid-air, instrument held safely above the head.
forgetting the words and inventing better onesEyes to the ceiling for one beat, then a grin.
the night the whole inn went silentSpoons stopped halfway to mouths. Draw the stillness, not the singer.
playing through a thunderstorm without noticingHair on end, rain sideways, audience under the tables.
starting the wrong play and finishing it anywayFellow actors frozen in costume for a different story.
the wedding where the wrong song was requestedA bride mid-step, a groom mid-wince, the bard already committed.
The night it went right 12
a ballad that got a bridge repairedCarpenters at work while the bard watches from the bank, arms folded.
a farewell song that made a whole dock miss the tideBoats still tied up and sailors wiping their eyes on their caps.
a joke that crossed the country faster than they didArriving in a new town to hear their own punchline.
a lullaby that sent a rowdy crowd home to bedA square emptying on tiptoe.
a verse the mayor had carved over a doorA stone lintel with one line on it and a chisel still on the step.
getting two feuding families to share a chorusA line down the middle of a hall and one song crossing it.
holding one note until the sun came upA long horizontal line across the drawing, from night into day.
making a tax collector laughA stern face cracking, pen dropped, ink spreading on the ledger.
out-singing a stormMouth open against the wind, coat streaming, clouds giving up at the edges.
playing every part when the troupe missed the coachOne figure, five hats, a great deal of running.
the song that ended a ten-year silence between brothersTwo old men on one bench, not looking at each other, both humming.
teaching a whole market to sing in three partsFish stalls on the low part, cloth sellers on the high.
The strange ones 12
a concert for one cow, at the farmer's requestThe cow chews. The farmer nods along from the gate.
a puppet show in which the puppet took the bowThe puppet bows to the left. The bard, behind, looks surprised.
a show given from a rooftop during a floodListeners in rowing boats, oars shipped.
a silence so long that somebody applauded itOne pair of hands clapping in a frozen room.
a song that every dog in town joinedRoofs, doorways and carts, each with a dog and an open mouth.
a song that the wind finishedA sheet of music lifting off the stand, the bard letting it go.
a story told across a river by shoutingTwo banks, two crowds and hands cupped round every mouth.
a tune that set the tower bells hummingBells shown with small shake lines and nobody near the ropes.
an audience of crows that stayed to the endA fence rail of birds, heads tilted the same way.
music that set the washing lines swaying in timeShirts on three lines all leaning the same way.
the night their shadow kept better time than they didA shadow on the back wall with its foot tapping a beat ahead.
playing so quietly the whole square leaned inEvery figure in the scene bent forward at the same angle.
Small kindnesses 12
a birthday song for a stranger who had told no oneA startled face in a corner seat and a candle in a bread roll.
a goodnight sung to a whole street from one doorstepShutters closing one by one down the row.
a march that got tired walkers over the last hillSeen from behind: a column of packs and one figure playing at the head.
a song for a couple married sixty yearsTwo chairs pushed together and the dance done sitting down.
a tune taught to a sailor who took it overseasA ship leaving and a whistle carrying back across the water.
a verse made on the spot for a shy apprenticeEars going pink at the back of the room.
making a long queue enjoy being a queueA line of people swaying in step, nobody checking the front.
the one request they ever got exactly rightAn old listener with eyes shut and a hand over the heart.
playing all night under the window of someone unwellA lit window above and a figure on an upturned crate below.
singing a lost child back to the right doorA small figure following a tune down a street of identical houses.
the tune that calmed a horse on a narrow bridgeOne hand on the bridle, the other still fingering the pipe.
turning an argument at a toll gate into a roundThree red faces singing in turn while the gate swings open.
What it left behind 12
a ballad that other bards refuse to followA stage standing empty while performers argue over who goes next.
a chorus that became a town's way of saying helloTwo people passing in a street, each singing half a line.
a contest of verses that both sides still claimTwo trophies on two mantelpieces in two towns.
a dance step invented by accident and never fixedA whole floor of dancers all stumbling on the same beat.
a line that judges now quote without knowing whyA wigged figure mid-sentence, one finger raised.
a rhyme the children still skip rope toA rope at the top of its arc and feet off the ground.
a song that the next valley swears is theirsTwo villages on two hills, arms folded at each other.
a tune now whistled by people who never heard themA baker, a carter and a clerk, each mid-whistle, each alone.
an insult so neat its target had it framedThe frame hangs over a desk. The target points to it proudly.
the only show that ever sold out a barnLegs dangling from the hayloft, faces at every knothole.
the performance a painter put on a signboardAn inn sign with the bard on it, slightly thinner than in life.
three verses that got a pie named after themA chalkboard menu with the title at the top.
How this list was compiled: Original list written for Draw This Next, September 2026. Each entry is one evening that can be drawn as a single scene, with the crowd in it. The notes on what to draw are our own suggestions. Licence: own work
Keeps: all 60 keepsakes
Bits of instruments 12
a bow hair pressed in a book as a markerOne long pale line across a page of verse.
a broken string from every instrument they have ownedCoiled together in a tin, each tagged with a year.
a drumstick with somebody else's initialsTucked in a boot top, never used.
Show all 60 keepsakes (57 more)
Bits of instruments, continued
a fiddle bridge carved from a kitchen chairPaler than the rest of the instrument and a little too thick.
a mouthpiece worn to the shape of their teethNobody else could play it. Draw it close up, with the dents.
a pick cut from a coinThe date still shows on one edge.
a spare string wound round the wristLooks like a bracelet until a string snaps mid-song.
a tuning fork that hums near waterHeld out over a well with a doubtful look.
a tuning peg from a teacher's fiddleWorn on a cord. They turn it between finger and thumb before a show.
the bell from a jester's cap, origin unknownSewn inside a cuff where it rings only when they bow.
the first reed they ever splitKept in a matchbox, shown to pupils as a warning.
rosin in a walnut shellOpened with a thumbnail. Amber dust on the fingers.
Paper 12
a contract with a clause about weatherOne paragraph underlined three times.
a handbill from the show that made them startSoft as cloth, the print almost gone.
a ledger of what each song has earnedThe saddest song has the longest column.
a letter of introduction to a hall that burned downThe seal unbroken. The address is a field now.
a list of towns, each with one word beside itGood. Damp. Goats. Never again.
a map with the good audiences circledCircles cluster along one river and nowhere else.
a playbill with their name spelled wrongPinned inside the instrument case lid.
a rhyming dictionary with one page worn throughYou can read the next page through the hole.
a songbook with other people's notes in the marginsFive handwritings on one page, arguing.
every bad review, folded smallA thick wallet that holds no money at all.
the first verse they ever wrote, shown to no oneFolded to the size of a stamp.
the last page of a play nobody finishedThe speech stops mid-line and the ink trails off.
Given by listeners 12
a button from a patron's coatIt matches nothing else they own.
a child's drawing of them with too many armsProudly glued inside the case, corners curling.
a flower pressed flat by the weight of the songbookA brown outline on the page facing it.
a handkerchief somebody wept into and gave backWashed, pressed, and kept in the breast pocket.
a medal for a contest they came second inPolished more than a first prize would be.
a pebble from outside every hall they filledA pouch that is, honestly, not very heavy.
a ribbon thrown from a balconyTied to the neck of the instrument, faded on one side.
a scarf knitted by an audience of oneFar too long. It goes round three times.
a thimble a seamstress swore was luckyWorn on the little finger for the hard passages.
a whistle a listener carved during a slow songIt plays only two notes. They use both.
a wooden spoon from a kitchen that fed them all winterHung on the case by a loop of string.
the first hat they ever passed round, now too smallHung from the case by its band, like a bell.
From the stage 12
a cloak lined with pockets for propsOpen it for the viewer: scarves, a horn, a rubber fish.
a curtain ring from a stage that is goneBrass, heavy, worn on the thumb.
a false nose they have never neededStill in its box, with the price on.
a folding stool with a squeak in the note of DThey tune to it.
a hat with a hole from a thrown turnipThe hole has been hemmed, not mended.
a mask worn only for the last songIt hangs at the belt all evening, facing backward.
a painted backdrop of somewhere they have never beenRolled on a pole across the shoulders like a carpet.
a pair of shoes that only fit on stageCarried by the laces. They change in the wings.
a prompt card for a line they always forgetPinned inside the hat, read while bowing.
a puppet with one eyeIt rides in a coat pocket with its head out.
a stick of greasepaint worn to a stubA smear of it is always on one cuff.
a string of bells for one ankleThey walk carefully in libraries.
Harder to pack 12
a callus they are privately proud ofThumb held up to the light and inspected.
a debt to a song they have not written yetBlank staves ruled ready on the last page of the book.
a feather from a bird that sang backStuck in the hatband at a confident angle.
a jar of applause, or so they tell childrenAn empty jar with a tight lid, held to a small ear.
a knot they tie whenever a show goes wellA cord at the belt with more knots near the old end.
a laugh borrowed from someone they missHead back, eyes shut. The laugh is too big for their frame.
a nickname from a town that meant it kindlyPainted on the case in someone else's lettering.
a seashell that hums one town's chorusProbably only the sea. They hold it to an ear anyway.
a silence they are saving for the right roomA finger half raised, then lowered: not tonight.
a stone that sounds a note when struckKept in a sock so it does not ring in the pack.
a tune they refuse to play until it is finishedFingers that start it on any tabletop and stop at the same bar.
the hush of one particular cellar, visited yearlyStanding at the top of the steps with a hand raised for quiet.
How this list was compiled: Original list written for Draw This Next, September 2026. Each keepsake is a small object from a performing life, something to put in a hand, a pocket or an instrument case. The notes on where it shows in a drawing are our own suggestions. Licence: own work
How it works
This bard backstory generator deals a performer's past in six parts: who trained them, what they perform, why they left, a rival or patron, the night people still talk about and one keepsake. Text only.
Read the full guide
What a bard is here
A bard, both poet and singer, performed verse for a patron. On this page the word covers anyone who earns supper with an act, from a hurdy-gurdy player to a teller of ghost stories. The second part names the act, so draw the hands doing it.
One night to stage
The fifth part is a single evening, such as an encore that lasted until breakfast. It is the scene to draw: a room, a crowd and the bard in the middle of it. Put the keepsake, the sixth part, in the foreground of that scene.
Put the keepsake where a viewer finds it second: in a hatband, on the instrument case, at the belt.
A patron sits and a rival stands. Seat or stand the fourth part before drawing either face.
Draw the audience first. A performer's pose is an answer to the room.
Questions and answers
What goes into a bard's backstory?
A teacher, an act, a reason to leave and somebody to play for or against. This page adds one remembered night and one object, because those are the two things a drawing can show at a glance.
Can I use it as a goblin bard backstory generator?
Yes. No list says what people the bard belongs to, so a goblin, a human or a talking badger reads the same. Decide that yourself, then press New backstory and keep the parts that suit.
Is it tied to a tabletop game?
No. Bard is used as the old word for a singing poet. The lists name no game, rule book, setting or spell, and the instruments are real ones, checked against their encyclopedia articles.